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  • AZURE: A Journal of Literary Thought
    • AZURE Volume 9 >
      • SHELDON GUTERSON AND PINCHUS FLEISHER COMPARED by Ben Guterson
    • AZURE Volume 8 >
      • The Museum of Futures That Didn't Arrive by Jeffrey-Michael Kane
      • Arachnidaea: Line Drawings by Stephen C. Pollock
      • The Flesh of Death Is the Fabric of Life by Lucie Chou
      • ALMOST STALE by Nathaniel Calhoun
      • CUCUMBER SALAD by Michael Pearce
      • PRACTICAL MEDICAL ADVICE FOR FEMALE SUBJECTS OF THE CAPE COLONY by Karen Jennings
      • PLAN B and others by M.B. McLatchey
      • IDIOSYNCRATIC ICONS: A MANIFESTO by Richard Collins
      • THE DARDANELLES (HERO AND LEANDER AT 60) by Greg Sendi
      • AN APPRECIATION OF THE SCHOLAR, ADALBERT by Vincent Mannings
      • ONE PARTING, YIELDING LINE by M. Ann Reed
      • THE RIVER FISHER'S DAUGHTER by Kirk Marshall
      • BEYOND THE GREAT HORIZON WALL by Kenny Kuhn
      • BLOOM by Michael Gessner
      • SOMETHING, I KNOW NOT WHAT by Ray Corvi
      • OF BUTLERS AND SPIES by Austin Barnes
      • WHAT THE FIRST GOD SPOKE I THINK WAS SUN by Richard Hague
      • SEELENKNARREN by Lorenz Poeschl
    • AZURE Volume 7, Issue 3 >
      • DECEMBER 25, 2022 by Aletha Irby
      • A SUMMARY OF 'A BRIEF HISTORY OF NASOCARPIA' by Peter Arscott
      • CARRYING CAPACITY by Charles Byrne
      • THE MUNE MONOLOGUES by Thomas Townsley
    • AZURE Volume 7, Issue 2 >
      • VARIATION ON A THEME & POSE POEM by Norman Minnick
      • THE MAP OF YOUR HANDS UNFOLDS A DOVE by Vikki C.
      • HISTORIES OF THE BEARD by Richard Hague
      • ILLUSTRATED COMMENTS ON THE APOPHATAPATAPHYSICAL METRICS OF COSMIC HUMOR by edo strannikov
    • AZURE Volume 7, Issue 1 >
      • ORANGES by John Moody
      • THE LACONIA by Wendy Webb
      • BREATH OF THE TEXT by Jeremiah Cassar Scalia
    • AZURE Volume 6, Issue 4 >
      • TO THOSE FOUND DEAD IN CHIMNEYS by R.W. Plym
      • WHAT TO EXPECT OF LIFE by Steven G. Kellman
      • IF IT WERE DRAWN by Jessica Reed
      • BLOOD IN THE ORCHIDS by Amanda Kotch
      • CORNELIUS RADHOPPER by Peter Arscott
    • AZURE Volume 6, Issue 3 >
      • ANIMAL INHERITANCE by akhir ali
      • THAT DUDE DERRIDA by Daniel Klawitter
      • FLAT-EARTH FRED by Phil Gallos
      • THE MYSTERY OF THE MISSING SEMICOLON by Orana Loren
      • MY BALDERDASHERY by Eric Paul Shaffer
    • AZURE Volume 6, Issue 2 >
      • MIRROR by Joshua Kepfer
      • CUE FALLING PIANO by D.C. Weaver
      • ANTON AND THE ECHO by Cristina Otero
      • THAT WHICH WE TRULY DON'T KNOW by JOACHIM GLAGE
      • CONGRATULATIONS by Alan Sincic
    • AZURE Volume 6, Issue 1 >
      • NEVER, NEVER LAND, MY SHIP by Mark Pearce
      • THE SMILE OF MONA LISA by Fatima Ijaz
      • OUROBOROS by Esme Sammons
      • THE DEPTHS OF THE SEA by Margaret D. Stetz
      • SNICKER-SNACK by Bruce Meyer
    • AZURE Volume 5, Issue 4 >
      • THE OWLET AND THE TURTLE by Greg Sendi
      • BRACTS and other poems by Nathaniel Calhoun
      • ANSWERS TO NON-EXISTENT QUESTIONS and other poems by Kevin Griffith
      • NEVERENDING KNOT by Jodie Dalgleish
      • LEARNING TO WALK by Jodie Dalgleish
      • OVERSOUL by P.S. Lutz
    • AZURE Volume 5, Issue 3 >
      • MAP OF MEMORY by Jesse Schotter
      • BISMILLAH by Abby Minor
      • MICROMORTS by Veronica Tang
      • LOVE LETTER TO LANGUAGE: AN ABECEDARIAN by Saramanda Swigart
      • IF YOU WERE ALL WATER by M. Ann Reed
    • AZURE Volume 5, Issue 2 >
      • CONTRA FORMALISME by Leland Seese
      • DRUNKEN MAN ON A BICYCLE by Dan Butterworth
      • WOLF TICKETS THROUGH THE FERAL WINTER by Kirk Marshall
      • SYLVANUS, BARD by Marc Lerner
      • THE LOOKING GLASS OF ARTHUR GORDON PYM by Frank Meola
    • AZURE Volume 5, Issue 1 >
      • INTIMATE THINGS by Laylage Courie
      • A SERIES OF PUNCTUATION by Hajar Hussaini
      • ROT AND GLORIANA by Laurel Miram
      • BLUES ON RED by Elie Doubleday
      • MY FICTION: REMEMBERING 50 YEARS OF WORK by Richard Kostelanetz
    • AZURE Volume 4, Issue 4 >
      • ENDNOTES FOR AN ALLOCUTION by Peter Freund
      • UKEMI (and other poems) by Nicole Vento
      • MEMORANDUM ON DESIRE by Laylage Courie
      • THE HOLYWOOD DEUTERONOMY by Jim Shankman
      • AT THE MAD HATTER-MARCH HARE ART GALLERY (and other poems) by M. Ann Reed
    • AZURE Volume 4, Issue 3 >
      • THE MACHINE, STOLEN FIRE, and PERFORMANCE by Vivek Narayan
      • FIRST FRUITS by Stephen Massimilla
      • ONCE UPON A TOMORROW-TIME by Christopher Routheut
      • YIELD LIGHT OF WAY by Ken Goodman
      • SEVEN TALES by Sara Streett
    • AZURE Volume 4, Issue 2 >
      • THE PUNCH-CARD CIPHERS by DF Short
      • SHE WAS THE FIRST TO GIVE A TOAST by Kelli Russell Agodon
      • HABLU L-WARIDI by Jesse Hilson
      • THE KEY TO DREAMS by Sean S. Bentley
      • SOFA, SO GOOD, SORT OF by Remy Ngamije
    • AZURE Volume 4, Issue 1 >
      • STAMPING THE DEAD by Habib Mohana
      • LEGS by A. Joachim Glage
      • I THINK OUTSIDE THE BOX by Heikki Huotari
      • LUŽÁNKY by V.B. Borjen
    • ARCHIVES: VOLUME 3 >
      • AZURE Volume 3, Issue 4 >
        • TALES UNSUITABLE FOR CHILDREN by Devon Ortega
        • WAKE UP by JayJay Conrad
        • AMONG THE MEN IS APRIL by Logo Wei
        • SWEET by Melinda Giordano
        • BLACK ROSES by Osamase Ekhator
        • MEET ME TONIGHT ON METAPHOR STREET by Vivek Narayan
      • AZURE Volume 3, Issue 3 >
        • MENAGE A TROIS, WITH HORSE by Don Dussault
        • THE BLACK by Ben Colandrea
        • BLUE SKY LANGUAGE by Christien Gholson
        • UN DETECTIVE VIEJO by Franco Strong
      • AZURE Volume 3, Issue 2 >
        • THE CLEANSING by Linda Dennard
        • SHUFFLE by Debbie Fox
        • DID YOU FALL OR RISE FROM THE CLOUD OF UNKNOWING? by M. Ann Reed
        • THE PHILOSOPHER AND THE PORNQUEEN by Omar Sabbagh
        • KIGALI MEMORIAL by Carlos Andres Gomez
        • PANTOUM OF THE MEAT by Ouita Rogers
      • AZURE Volume 3, Issue 1 >
        • HOW TO WRITE A BIOGRAPHY by Joanne B. Mulcahy
        • PROTOCOL NINE-NINE-NINE-NINE by Kenneth Hanes
        • LESS' MORE by TWIXT
        • POINTLESS MR. PROBST by Beatriz Seelaender
    • ARCHIVES: VOLUME 2 >
      • AZURE Volume 2, Issue 4 >
        • SYLVAN PASSAGES by Dan Wood
        • SISTER ALONE by Janet M Powers
        • CENTURY 2.1 by Alan Flurry
        • CLAIMED BY THE SEA by Sam Reese
      • AZURE Volume 2, Issue 3 >
        • CROSSHATCHING by M.K. Rainey
        • LULLABY by Barbara Daddino
        • HOUSEMOUTH (and other poems) by Anhvu Buchanan and Brent Piller
        • THE RESIDUE IN PUBLIC TEA AND COFFEE CUPS by V.B. Borjen
        • SYZYGY (and other poems) by Malorie Seeley-Sherwood
      • AZURE Volume 2, Issue 2 >
        • DRAGONFLIES: A DISCOURSE ON ANXIETY by Lara Lillibridge
        • AND RICHARD BURBAGE ALSO HAD A SISTER by Freya Shipley
        • THE WATCHERS by M.K. Rainey
        • JAZZ INTERACTION WITH SYMBOLS by Sarah T.
        • SPIDER (and other poems) by Natalie Crick
      • AZURE Volume 2, Issue 1 >
        • ECHOES by Daniel Freeman
        • MAPS by Susan Brennan
        • EDGAR'S FATHER'S MAGIC WORDS by JWM Morgan
        • LOCKJAW: IN TWO ACTS by James Blevins
        • WHAT THE LIVING DO by Susan Wadds
    • Archives: Volume 1 >
      • AZURE Volume 1, Issue 10 >
        • SUSURROS DE RECURRENCIA by Franco Strong
        • THE OLD MAN by Sarah T.
        • PERMUTATIONS by Laura Cesarco Eglin
        • WORLD PEACE 3 by Gustavo Alberto Garcia Vaca
      • AZURE Volume 1, Issue 9 >
        • LITTLE GHOST by Danny Judge
        • THE LAST ALLUSIONIST by Sakina B. Fakhri
        • CHURCH by Diana McClure
      • AZURE Volume 1, Issue 8 >
        • DEVIL IN A BLUE DRESS by Nancy Flynn
        • WHAT I COULDN'T SAY by Erika Ranee & Diana McClure
      • AZURE Volume 1, Issue 7 >
        • BRASS TYRANT AND THE AMERICAN THIRST by Kirk Marshall
        • LADY KILLER by Monika Viola
        • THE RIBBONS by Ferguson Williams
      • AZURE Volume 1, Issue 6 >
        • AURELIA: A BALLET IN PROSE (ACT 2 - Part 1) by Sakina B. Fakhri
        • NEW AGE UNCAGED by Frank Light
        • IMMIGRATION/INTEGRATION by Jaret Vadera & Diana McClure
      • AZURE Volume 1, Issue 5 >
        • THE TRIALS OF TOBIT by Joseph Lisowski
        • LIKE MANY GIANT FOOTPRINTS (and other poems) by William Doreski
        • AURELIA: A BALLET IN PROSE (ACT I) by Sakina B. Fakhri
      • AZURE Volume 1, Issue 4 >
        • WARDENCLIFF by Barbara Daddino
        • BETTER LIVING THROUGH CHEMISTRY by Reg Darling
        • AURELIA: A BALLET IN PROSE (LIBRETTO) by Sakina B. Fakhri
      • AZURE Volume 1, Issue 3 >
        • LAWTON, OKLAHOMA by Mark Lawley
        • TWEETY BIRD'S GRACE by Diana McClure
        • CONTAGION AND THE DINNER GUEST by Sakina B. Fakhri
        • ON POETRY AND PROSE by Sakina B. Fakhri
      • AZURE Volume 1, Issue 2 >
        • TWO MICE IN A BLACK BOX & THE DECONSTRUCTION OF LANGUAGE by Sakina B. Fakhri
      • AZURE Volume 1, Issue 1 >
        • CHARACTER SKETCHES by Diana McClure
        • SEASONS ON A GRAVESTONE by Sakina B. Fakhri
        • COCKTAIL PARTY by Diana McClure
        • DESUETUDE by Sakina B. Fakhri
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  • This Past Was Waiting For Me (Sarah Trembath)

This Past Was Waiting For Me (Sarah Trembath)

SKU: 32626
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*Available now for PRE-ORDER in the US. Ships May 30, 2026.


This full-color, multi-genre book draws upon historical research to tell the unredacted story of our recent sociopolitical past. 


"Sarah Trembath’s voice is an authentic, deeply passionate one, calling us to task for the ways in which we have distorted or ignored the painful parts of our national history."

--ADAM HOCHSCHILD, New York Times bestselling author of King Leopold’s Ghost, To End All Wars, and Bury the Chains


With its combination of scholarly research, "wongol" poetry, full-color artwork, personal essay, and extracted social media, This Past Was Waiting For Me reflects Black history onto our present moment. Trembath meticulously exposes the grammar by which official sources have obscured slavery's horrors; she also celebrates art and the possibility of progress.


*ships only within the United States

*bulk discounts available for educational uses or conferences; please inquire via email ([email protected])


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SUMMARY

In this groundbreaking, genre-bending book, American University professor Sarah Trembath braids poetry, art, personal essay, and scholarly analysis to salvage Black history from its misconstructions and misrememberings. This Past Was Waiting for Me distills Trembath’s decades-long body of academic and artistic work into a cohesive artistic experience that drives empathy and combats misinformation. 

Trembath corrects the historical record while adding to it—she reflects on both the horrors and the richness, holding back on neither. Her account of history covers a swathe of eras and events from the Middle Passage to the present, including contemporary coloniality, the genocidal wars abroad, and an ongoing, interwoven account of the gentrification of her old neighborhood of Shaw in Washington, DC. She draws upon the roles of students, teachers, artists, and activists as the sources of hope for a transformed Western world.

The book shows, importantly, how Black history is inextricable from current events. As Trembath writes, her book “leans forward and dips back, chronicles in irregularity and circularity what contextualizes Today. I hope that it also points forward to what you (we) are actively unfolding in indignation and celebration, energized and undaunted all the way.”

Product Details

ISBN: 978-0-9994243-9-1
Binding: Paperback
Author: Sarah Trembath
Pages: 396
Trim: 5.5 x 8.25 inches
Published: 5/30/2026

Sarah Trembath teaches writing, storytelling, and literature at American University, where she has been a faculty member since 2014 and is currently the executive director of AU’S Antiracist Research and Policy Center. Dr. Trembath is a poet and decolonial scholar who writes extensively on matters of social justice, and is a recipient of the American Studies Association’s Gloria Anzaldúa Award. She lives in Baltimore with her family.


PRAISE

“Sarah Trembath’s voice is an authentic, deeply passionate one, calling us to task for the ways in which we have distorted or ignored the painful parts of our national history.”
Adam Hochschild, New York Times bestselling author of King Leopold’s Ghost, To End All Wars, and Bury the Chain
“Sarah Trembath has written a bold, brave book about America, history, and race. If ever there was a moment when we as a nation needed this book, that time is now. This is a book all Americans should read."
Marita Golden, bestselling author of Long Distance Life, The Strong Black Woman, and The Wide Circumference of Love
“A masterful mix of the academic and the poetic... This Past Was Waiting for Me shies away from no truths...uncomfortable or otherwise. Thank you, Sarah Trembath...for championing the magic and truth and story of our beautiful, brilliant, resilient Blackness. And for extolling our warriors, our shamans and our guides. This book, I feel, is the new travelers guide for the American. Tells us where we’ve been, where we are...and how to get to the next place.
Ursula Rucker, poet and award-winning international recording artist
“Sarah Trembath’s multi-genre, interdisciplinary endeavor, This Past Was Waiting for Me, tells difficult truths about our nation’s history. Based on years of careful scholarly research and study, its mixture of poetry, essay, and academic article helps bring compassion, originality, and insight to material we need to confront in order to understand our present moment and our present pain. From its righting of historical inaccuracies through meticulously-researched primary source documents, to its hopeful attempts to reach across racial divides and heal some of our national wounds, to its powerful lyric poetry and images—all done with excruciating honesty, kindness, and sometimes even humor—this book refuses to let us look away or remain ignorant. I can’t think of a more timely and necessary antidote to our current political turmoil.
Hollynd Karapetkova, poet, Academy of American Poets Laureate Fellowship recipient
“Sarah Trembath offers here a re-treatment of history that always rings true. This Past Was Waiting for Me is a study in the practice of writing as a vehicle for artistic, political, and spiritual consciousness. Trembath is a serious writer, passionate about her purpose and generous with her spirit, demonstrating that writing is voice and that voice is action."
Rich Garella, filmmaker and documentarian
“At least half of what I’ve learned about DC since I moved here 30 years ago I know from Sarah Trembath’s multiform and multi-voiced chronicle This Past Was Waiting for Me, a galvanizing portrait of a people and their city. It’s not just the deep research, poetic beauty, incisive critique, and vital recollections that make This Past such a valuable record of gentrification, change, and resistance since the ’80s in what used to be known as Chocolate City. It’s that every fact, every encounter, every indelible memory, and every missed turn is steeped in painful and joyous experiences and imbued with the wisdom and humor of a voice able both to live fully in the moment and to grasp the meaning of that moment for the past she lived through and the future she refuses to stop imagining into existence."
David Pike, author of After the End: Cold War Culture and Apocalyptic Imaginations in the Twenty-First Century
“My GOD can this woman write. I read This Past Was Waiting for Me in a state of euphoric enthrallment. There is no saccharin here, no nostalgia, and Trembath stands on the terra firma of historians, elders, and ancestors. She may launch this book from Philly/DC, but any student, professor, activist, or revolutionary in the Congo or Brixton or Bosnia will dig it. I can’t wait ’til my 18- and 20-year-old children read this."
Kenneth Carroll, poet, author of So What! For the White Dude Who Said This Ain’t Poetry
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  • ABOUT
    • Our Literary Aesthetic
    • Staff
    • Contact Us
    • BLOG
    • SUBSCRIBE
  • CONTESTS
  • AZURE: A Journal of Literary Thought
    • AZURE Volume 9 >
      • SHELDON GUTERSON AND PINCHUS FLEISHER COMPARED by Ben Guterson
    • AZURE Volume 8 >
      • The Museum of Futures That Didn't Arrive by Jeffrey-Michael Kane
      • Arachnidaea: Line Drawings by Stephen C. Pollock
      • The Flesh of Death Is the Fabric of Life by Lucie Chou
      • ALMOST STALE by Nathaniel Calhoun
      • CUCUMBER SALAD by Michael Pearce
      • PRACTICAL MEDICAL ADVICE FOR FEMALE SUBJECTS OF THE CAPE COLONY by Karen Jennings
      • PLAN B and others by M.B. McLatchey
      • IDIOSYNCRATIC ICONS: A MANIFESTO by Richard Collins
      • THE DARDANELLES (HERO AND LEANDER AT 60) by Greg Sendi
      • AN APPRECIATION OF THE SCHOLAR, ADALBERT by Vincent Mannings
      • ONE PARTING, YIELDING LINE by M. Ann Reed
      • THE RIVER FISHER'S DAUGHTER by Kirk Marshall
      • BEYOND THE GREAT HORIZON WALL by Kenny Kuhn
      • BLOOM by Michael Gessner
      • SOMETHING, I KNOW NOT WHAT by Ray Corvi
      • OF BUTLERS AND SPIES by Austin Barnes
      • WHAT THE FIRST GOD SPOKE I THINK WAS SUN by Richard Hague
      • SEELENKNARREN by Lorenz Poeschl
    • AZURE Volume 7, Issue 3 >
      • DECEMBER 25, 2022 by Aletha Irby
      • A SUMMARY OF 'A BRIEF HISTORY OF NASOCARPIA' by Peter Arscott
      • CARRYING CAPACITY by Charles Byrne
      • THE MUNE MONOLOGUES by Thomas Townsley
    • AZURE Volume 7, Issue 2 >
      • VARIATION ON A THEME & POSE POEM by Norman Minnick
      • THE MAP OF YOUR HANDS UNFOLDS A DOVE by Vikki C.
      • HISTORIES OF THE BEARD by Richard Hague
      • ILLUSTRATED COMMENTS ON THE APOPHATAPATAPHYSICAL METRICS OF COSMIC HUMOR by edo strannikov
    • AZURE Volume 7, Issue 1 >
      • ORANGES by John Moody
      • THE LACONIA by Wendy Webb
      • BREATH OF THE TEXT by Jeremiah Cassar Scalia
    • AZURE Volume 6, Issue 4 >
      • TO THOSE FOUND DEAD IN CHIMNEYS by R.W. Plym
      • WHAT TO EXPECT OF LIFE by Steven G. Kellman
      • IF IT WERE DRAWN by Jessica Reed
      • BLOOD IN THE ORCHIDS by Amanda Kotch
      • CORNELIUS RADHOPPER by Peter Arscott
    • AZURE Volume 6, Issue 3 >
      • ANIMAL INHERITANCE by akhir ali
      • THAT DUDE DERRIDA by Daniel Klawitter
      • FLAT-EARTH FRED by Phil Gallos
      • THE MYSTERY OF THE MISSING SEMICOLON by Orana Loren
      • MY BALDERDASHERY by Eric Paul Shaffer
    • AZURE Volume 6, Issue 2 >
      • MIRROR by Joshua Kepfer
      • CUE FALLING PIANO by D.C. Weaver
      • ANTON AND THE ECHO by Cristina Otero
      • THAT WHICH WE TRULY DON'T KNOW by JOACHIM GLAGE
      • CONGRATULATIONS by Alan Sincic
    • AZURE Volume 6, Issue 1 >
      • NEVER, NEVER LAND, MY SHIP by Mark Pearce
      • THE SMILE OF MONA LISA by Fatima Ijaz
      • OUROBOROS by Esme Sammons
      • THE DEPTHS OF THE SEA by Margaret D. Stetz
      • SNICKER-SNACK by Bruce Meyer
    • AZURE Volume 5, Issue 4 >
      • THE OWLET AND THE TURTLE by Greg Sendi
      • BRACTS and other poems by Nathaniel Calhoun
      • ANSWERS TO NON-EXISTENT QUESTIONS and other poems by Kevin Griffith
      • NEVERENDING KNOT by Jodie Dalgleish
      • LEARNING TO WALK by Jodie Dalgleish
      • OVERSOUL by P.S. Lutz
    • AZURE Volume 5, Issue 3 >
      • MAP OF MEMORY by Jesse Schotter
      • BISMILLAH by Abby Minor
      • MICROMORTS by Veronica Tang
      • LOVE LETTER TO LANGUAGE: AN ABECEDARIAN by Saramanda Swigart
      • IF YOU WERE ALL WATER by M. Ann Reed
    • AZURE Volume 5, Issue 2 >
      • CONTRA FORMALISME by Leland Seese
      • DRUNKEN MAN ON A BICYCLE by Dan Butterworth
      • WOLF TICKETS THROUGH THE FERAL WINTER by Kirk Marshall
      • SYLVANUS, BARD by Marc Lerner
      • THE LOOKING GLASS OF ARTHUR GORDON PYM by Frank Meola
    • AZURE Volume 5, Issue 1 >
      • INTIMATE THINGS by Laylage Courie
      • A SERIES OF PUNCTUATION by Hajar Hussaini
      • ROT AND GLORIANA by Laurel Miram
      • BLUES ON RED by Elie Doubleday
      • MY FICTION: REMEMBERING 50 YEARS OF WORK by Richard Kostelanetz
    • AZURE Volume 4, Issue 4 >
      • ENDNOTES FOR AN ALLOCUTION by Peter Freund
      • UKEMI (and other poems) by Nicole Vento
      • MEMORANDUM ON DESIRE by Laylage Courie
      • THE HOLYWOOD DEUTERONOMY by Jim Shankman
      • AT THE MAD HATTER-MARCH HARE ART GALLERY (and other poems) by M. Ann Reed
    • AZURE Volume 4, Issue 3 >
      • THE MACHINE, STOLEN FIRE, and PERFORMANCE by Vivek Narayan
      • FIRST FRUITS by Stephen Massimilla
      • ONCE UPON A TOMORROW-TIME by Christopher Routheut
      • YIELD LIGHT OF WAY by Ken Goodman
      • SEVEN TALES by Sara Streett
    • AZURE Volume 4, Issue 2 >
      • THE PUNCH-CARD CIPHERS by DF Short
      • SHE WAS THE FIRST TO GIVE A TOAST by Kelli Russell Agodon
      • HABLU L-WARIDI by Jesse Hilson
      • THE KEY TO DREAMS by Sean S. Bentley
      • SOFA, SO GOOD, SORT OF by Remy Ngamije
    • AZURE Volume 4, Issue 1 >
      • STAMPING THE DEAD by Habib Mohana
      • LEGS by A. Joachim Glage
      • I THINK OUTSIDE THE BOX by Heikki Huotari
      • LUŽÁNKY by V.B. Borjen
    • ARCHIVES: VOLUME 3 >
      • AZURE Volume 3, Issue 4 >
        • TALES UNSUITABLE FOR CHILDREN by Devon Ortega
        • WAKE UP by JayJay Conrad
        • AMONG THE MEN IS APRIL by Logo Wei
        • SWEET by Melinda Giordano
        • BLACK ROSES by Osamase Ekhator
        • MEET ME TONIGHT ON METAPHOR STREET by Vivek Narayan
      • AZURE Volume 3, Issue 3 >
        • MENAGE A TROIS, WITH HORSE by Don Dussault
        • THE BLACK by Ben Colandrea
        • BLUE SKY LANGUAGE by Christien Gholson
        • UN DETECTIVE VIEJO by Franco Strong
      • AZURE Volume 3, Issue 2 >
        • THE CLEANSING by Linda Dennard
        • SHUFFLE by Debbie Fox
        • DID YOU FALL OR RISE FROM THE CLOUD OF UNKNOWING? by M. Ann Reed
        • THE PHILOSOPHER AND THE PORNQUEEN by Omar Sabbagh
        • KIGALI MEMORIAL by Carlos Andres Gomez
        • PANTOUM OF THE MEAT by Ouita Rogers
      • AZURE Volume 3, Issue 1 >
        • HOW TO WRITE A BIOGRAPHY by Joanne B. Mulcahy
        • PROTOCOL NINE-NINE-NINE-NINE by Kenneth Hanes
        • LESS' MORE by TWIXT
        • POINTLESS MR. PROBST by Beatriz Seelaender
    • ARCHIVES: VOLUME 2 >
      • AZURE Volume 2, Issue 4 >
        • SYLVAN PASSAGES by Dan Wood
        • SISTER ALONE by Janet M Powers
        • CENTURY 2.1 by Alan Flurry
        • CLAIMED BY THE SEA by Sam Reese
      • AZURE Volume 2, Issue 3 >
        • CROSSHATCHING by M.K. Rainey
        • LULLABY by Barbara Daddino
        • HOUSEMOUTH (and other poems) by Anhvu Buchanan and Brent Piller
        • THE RESIDUE IN PUBLIC TEA AND COFFEE CUPS by V.B. Borjen
        • SYZYGY (and other poems) by Malorie Seeley-Sherwood
      • AZURE Volume 2, Issue 2 >
        • DRAGONFLIES: A DISCOURSE ON ANXIETY by Lara Lillibridge
        • AND RICHARD BURBAGE ALSO HAD A SISTER by Freya Shipley
        • THE WATCHERS by M.K. Rainey
        • JAZZ INTERACTION WITH SYMBOLS by Sarah T.
        • SPIDER (and other poems) by Natalie Crick
      • AZURE Volume 2, Issue 1 >
        • ECHOES by Daniel Freeman
        • MAPS by Susan Brennan
        • EDGAR'S FATHER'S MAGIC WORDS by JWM Morgan
        • LOCKJAW: IN TWO ACTS by James Blevins
        • WHAT THE LIVING DO by Susan Wadds
    • Archives: Volume 1 >
      • AZURE Volume 1, Issue 10 >
        • SUSURROS DE RECURRENCIA by Franco Strong
        • THE OLD MAN by Sarah T.
        • PERMUTATIONS by Laura Cesarco Eglin
        • WORLD PEACE 3 by Gustavo Alberto Garcia Vaca
      • AZURE Volume 1, Issue 9 >
        • LITTLE GHOST by Danny Judge
        • THE LAST ALLUSIONIST by Sakina B. Fakhri
        • CHURCH by Diana McClure
      • AZURE Volume 1, Issue 8 >
        • DEVIL IN A BLUE DRESS by Nancy Flynn
        • WHAT I COULDN'T SAY by Erika Ranee & Diana McClure
      • AZURE Volume 1, Issue 7 >
        • BRASS TYRANT AND THE AMERICAN THIRST by Kirk Marshall
        • LADY KILLER by Monika Viola
        • THE RIBBONS by Ferguson Williams
      • AZURE Volume 1, Issue 6 >
        • AURELIA: A BALLET IN PROSE (ACT 2 - Part 1) by Sakina B. Fakhri
        • NEW AGE UNCAGED by Frank Light
        • IMMIGRATION/INTEGRATION by Jaret Vadera & Diana McClure
      • AZURE Volume 1, Issue 5 >
        • THE TRIALS OF TOBIT by Joseph Lisowski
        • LIKE MANY GIANT FOOTPRINTS (and other poems) by William Doreski
        • AURELIA: A BALLET IN PROSE (ACT I) by Sakina B. Fakhri
      • AZURE Volume 1, Issue 4 >
        • WARDENCLIFF by Barbara Daddino
        • BETTER LIVING THROUGH CHEMISTRY by Reg Darling
        • AURELIA: A BALLET IN PROSE (LIBRETTO) by Sakina B. Fakhri
      • AZURE Volume 1, Issue 3 >
        • LAWTON, OKLAHOMA by Mark Lawley
        • TWEETY BIRD'S GRACE by Diana McClure
        • CONTAGION AND THE DINNER GUEST by Sakina B. Fakhri
        • ON POETRY AND PROSE by Sakina B. Fakhri
      • AZURE Volume 1, Issue 2 >
        • TWO MICE IN A BLACK BOX & THE DECONSTRUCTION OF LANGUAGE by Sakina B. Fakhri
      • AZURE Volume 1, Issue 1 >
        • CHARACTER SKETCHES by Diana McClure
        • SEASONS ON A GRAVESTONE by Sakina B. Fakhri
        • COCKTAIL PARTY by Diana McClure
        • DESUETUDE by Sakina B. Fakhri
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