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  • AZURE: A Journal of Literary Thought
    • AZURE Volume 6, Issue 4 >
      • TO THOSE FOUND DEAD IN CHIMNEYS by R.W. Plym
      • WHAT TO EXPECT OF LIFE by Steven G. Kellman
      • IF IT WERE DRAWN by Jessica Reed
      • BLOOD IN THE ORCHIDS by Amanda Kotch
      • CORNELIUS RADHOPPER by Peter Arscott
    • AZURE Volume 6, Issue 3 >
      • ANIMAL INHERITANCE by akhir ali
      • THAT DUDE DERRIDA by Daniel Klawitter
      • FLAT-EARTH FRED by Phil Gallos
      • THE MYSTERY OF THE MISSING SEMICOLON by Orana Loren
      • MY BALDERDASHERY by Eric Paul Shaffer
    • AZURE Volume 6, Issue 2 >
      • MIRROR by Joshua Kepfer
      • CUE FALLING PIANO by D.C. Weaver
      • ANTON AND THE ECHO by Cristina Otero
      • THAT WHICH WE TRULY DON'T KNOW by JOACHIM GLAGE
      • CONGRATULATIONS by Alan Sincic
    • AZURE Volume 6, Issue 1 >
      • NEVER, NEVER LAND, MY SHIP by Mark Pearce
      • THE SMILE OF MONA LISA by Fatima Ijaz
      • OUROBOROS by Esme Sammons
      • THE DEPTHS OF THE SEA by Margaret D. Stetz
      • SNICKER-SNACK by Bruce Meyer
    • AZURE Volume 5, Issue 4 >
      • THE OWLET AND THE TURTLE by Greg Sendi
      • BRACTS and other poems by Nathaniel Calhoun
      • ANSWERS TO NON-EXISTENT QUESTIONS and other poems by Kevin Griffith
      • NEVERENDING KNOT by Jodie Dalgleish
      • LEARNING TO WALK by Jodie Dalgleish
      • OVERSOUL by P.S. Lutz
    • AZURE Volume 5, Issue 3 >
      • MAP OF MEMORY by Jesse Schotter
      • BISMILLAH by Abby Minor
      • MICROMORTS by Veronica Tang
      • LOVE LETTER TO LANGUAGE: AN ABECEDARIAN by Saramanda Swigart
      • IF YOU WERE ALL WATER by M. Ann Reed
    • AZURE Volume 5, Issue 2 >
      • CONTRA FORMALISME by Leland Seese
      • DRUNKEN MAN ON A BICYCLE by Dan Butterworth
      • WOLF TICKETS THROUGH THE FERAL WINTER by Kirk Marshall
      • SYLVANUS, BARD by Marc Lerner
      • THE LOOKING GLASS OF ARTHUR GORDON PYM by Frank Meola
    • AZURE Volume 5, Issue 1 >
      • INTIMATE THINGS by Laylage Courie
      • A SERIES OF PUNCTUATION by Hajar Hussaini
      • ROT AND GLORIANA by Laurel Miram
      • BLUES ON RED by Elie Doubleday
      • MY FICTION: REMEMBERING 50 YEARS OF WORK by Richard Kostelanetz
    • AZURE Volume 4, Issue 4 >
      • ENDNOTES FOR AN ALLOCUTION by Peter Freund
      • UKEMI (and other poems) by Nicole Vento
      • MEMORANDUM ON DESIRE by Laylage Courie
      • THE HOLYWOOD DEUTERONOMY by Jim Shankman
      • AT THE MAD HATTER-MARCH HARE ART GALLERY (and other poems) by M. Ann Reed
    • AZURE Volume 4, Issue 3 >
      • THE MACHINE, STOLEN FIRE, and PERFORMANCE by Vivek Narayan
      • FIRST FRUITS by Stephen Massimilla
      • ONCE UPON A TOMORROW-TIME by Christopher Routheut
      • YIELD LIGHT OF WAY by Ken Goodman
      • SEVEN TALES by Sara Streett
    • AZURE Volume 4, Issue 2 >
      • THE PUNCH-CARD CIPHERS by DF Short
      • SHE WAS THE FIRST TO GIVE A TOAST by Kelli Russell Agodon
      • HABLU L-WARIDI by Jesse Hilson
      • THE KEY TO DREAMS by Sean S. Bentley
      • SOFA, SO GOOD, SORT OF by Remy Ngamije
    • AZURE Volume 4, Issue 1 >
      • STAMPING THE DEAD by Habib Mohana
      • LEGS by A. Joachim Glage
      • I THINK OUTSIDE THE BOX by Heikki Huotari
      • LUŽÁNKY by V.B. Borjen
    • ARCHIVES: VOLUME 3 >
      • AZURE Volume 3, Issue 4 >
        • TALES UNSUITABLE FOR CHILDREN by Devon Ortega
        • WAKE UP by JayJay Conrad
        • AMONG THE MEN IS APRIL by Logo Wei
        • SWEET by Melinda Giordano
        • BLACK ROSES by Osamase Ekhator
        • MEET ME TONIGHT ON METAPHOR STREET by Vivek Narayan
      • AZURE Volume 3, Issue 3 >
        • MENAGE A TROIS, WITH HORSE by Don Dussault
        • THE BLACK by Ben Colandrea
        • BLUE SKY LANGUAGE by Christien Gholson
        • UN DETECTIVE VIEJO by Franco Strong
      • AZURE Volume 3, Issue 2 >
        • THE CLEANSING by Linda Dennard
        • SHUFFLE by Debbie Fox
        • DID YOU FALL OR RISE FROM THE CLOUD OF UNKNOWING? by M. Ann Reed
        • THE PHILOSOPHER AND THE PORNQUEEN by Omar Sabbagh
        • KIGALI MEMORIAL by Carlos Andres Gomez
        • PANTOUM OF THE MEAT by Ouita Rogers
      • AZURE Volume 3, Issue 1 >
        • HOW TO WRITE A BIOGRAPHY by Joanne B. Mulcahy
        • PROTOCOL NINE-NINE-NINE-NINE by Kenneth Hanes
        • LESS' MORE by TWIXT
        • POINTLESS MR. PROBST by Beatriz Seelaender
    • ARCHIVES: VOLUME 2 >
      • AZURE Volume 2, Issue 4 >
        • SYLVAN PASSAGES by Dan Wood
        • SISTER ALONE by Janet M Powers
        • CENTURY 2.1 by Alan Flurry
        • CLAIMED BY THE SEA by Sam Reese
      • AZURE Volume 2, Issue 3 >
        • CROSSHATCHING by M.K. Rainey
        • LULLABY by Barbara Daddino
        • HOUSEMOUTH (and other poems) by Anhvu Buchanan and Brent Piller
        • THE RESIDUE IN PUBLIC TEA AND COFFEE CUPS by V.B. Borjen
        • SYZYGY (and other poems) by Malorie Seeley-Sherwood
      • AZURE Volume 2, Issue 2 >
        • DRAGONFLIES: A DISCOURSE ON ANXIETY by Lara Lillibridge
        • AND RICHARD BURBAGE ALSO HAD A SISTER by Freya Shipley
        • THE WATCHERS by M.K. Rainey
        • JAZZ INTERACTION WITH SYMBOLS by Sarah T.
        • SPIDER (and other poems) by Natalie Crick
      • AZURE Volume 2, Issue 1 >
        • ECHOES by Daniel Freeman
        • MAPS by Susan Brennan
        • EDGAR'S FATHER'S MAGIC WORDS by JWM Morgan
        • LOCKJAW: IN TWO ACTS by James Blevins
        • WHAT THE LIVING DO by Susan Wadds
    • Archives: Volume 1 >
      • AZURE Volume 1, Issue 10 >
        • SUSURROS DE RECURRENCIA by Franco Strong
        • THE OLD MAN by Sarah T.
        • PERMUTATIONS by Laura Cesarco Eglin
        • WORLD PEACE 3 by Gustavo Alberto Garcia Vaca
      • AZURE Volume 1, Issue 9 >
        • LITTLE GHOST by Danny Judge
        • THE LAST ALLUSIONIST by Sakina B. Fakhri
        • CHURCH by Diana McClure
      • AZURE Volume 1, Issue 8 >
        • DEVIL IN A BLUE DRESS by Nancy Flynn
        • WHAT I COULDN'T SAY by Erika Ranee & Diana McClure
      • AZURE Volume 1, Issue 7 >
        • BRASS TYRANT AND THE AMERICAN THIRST by Kirk Marshall
        • LADY KILLER by Monika Viola
        • THE RIBBONS by Ferguson Williams
      • AZURE Volume 1, Issue 6 >
        • AURELIA: A BALLET IN PROSE (ACT 2 - Part 1) by Sakina B. Fakhri
        • NEW AGE UNCAGED by Frank Light
      • AZURE Volume 1, Issue 5 >
        • THE TRIALS OF TOBIT by Joseph Lisowski
        • LIKE MANY GIANT FOOTPRINTS (and other poems) by William Doreski
        • AURELIA: A BALLET IN PROSE (ACT I) by Sakina B. Fakhri
      • AZURE Volume 1, Issue 4 >
        • WARDENCLIFF by Barbara Daddino
        • BETTER LIVING THROUGH CHEMISTRY by Reg Darling
        • AURELIA: A BALLET IN PROSE (LIBRETTO) by Sakina B. Fakhri
      • AZURE Volume 1, Issue 3 >
        • LAWTON, OKLAHOMA by Mark Lawley
        • TWEETY BIRD'S GRACE by Diana McClure
        • CONTAGION AND THE DINNER GUEST by Sakina B. Fakhri
        • ON POETRY AND PROSE by Sakina B. Fakhri
      • AZURE Volume 1, Issue 2 >
        • TWO MICE IN A BLACK BOX & THE DECONSTRUCTION OF LANGUAGE by Sakina B. Fakhri
      • AZURE Volume 1, Issue 1 >
        • CHARACTER SKETCHES by Diana McClure
        • SEASONS ON A GRAVESTONE by Sakina B. Fakhri
        • COCKTAIL PARTY by Diana McClure
        • DESUETUDE by Sakina B. Fakhri
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Back to AZURE (Volume 5, Issue 4)

Learning to Walk

By Jodie Dalgleish  
Picture

I watch your boots press their downwards force into the dirt,
and its deep forest litter. I see their compression of it;
how a heel strikes the distinct trace of your weight, in humus,
and how it rebounds, as if decomposing upwards, our long
hard-pressed relations coming back on up, to the arch
as the heft of the body moves itself, onto its toes,
from the great toe, to the second, to the third, and so on:
the body’s lift, to the ‘toe-off,’ and the load of the ‘stance
phase’ of the gait to be perambulated over ground. How the
valley has loft itself into the strata of schistose rock—time
in foliated, metamorphic rock, up-ended into its mineral
sheaths, sheared along our escarpment: the grand cuts
of orange sericite, green ottrelite, and the sandstone that
has been veined in quartzite, coming up tight and tipped
to the course of our feet. How the heel lifts and is swung
by the foot, in a pendulum, from the hip, to the plant
of the reciprocal leg’s pendular pivot; it’s like pole-vaulting
off one reiterative stake to the next while the rolling torque
of each hip couples the fall of an arc with the rise of an arc:
how our centre is carried undulately in the constantly, re-
directional, work of our ‘step-to-step transitions.’ How the
lungs fill to the signals of the receptors in our blood, telling us
how deeply we need to breathe with effort, in the swell
of the belly: sensors at the arterial bifurcation of the throat,
and on the heart’s aortic arch, rounding our abdomens out
to the thoracic cavity’s influx of air. Where there’s a view
from the top of our rock-range spur, out over the land’s hook
of the river; its meander that rings us, always, into the setting
of its alluvial settling—our hands out, over the rail,
evidencing the way all the ridges arrow their way into that
boucle and its almost-island of stone-housed tracts of land.
Stood with the last details of the valley’s walls, it’s the ‘light touch
contact’ of the index finger that will take us back down, trailing
through bracken, and heather: that slight ‘shear force’ at the
tip of the ‘tactile stimulations of the hand’, that’s enough
to maintain ‘postural control,’ to keep our bodies’ ‘equilibrate sway’
in play. There’s how rhizomatous bracken succeeded the first
forest ferns and how the perennial of heather (perhaps) branched
from its seeded ones and flowered the first woodlands from which
angiosperms then bloomed; how a bracken fern’s apical blade (‘frond’)
has unfurled its ‘crozier’ (tip) and is, fractally, ‘tri-pinnate’—from the ‘rachis’
(stem) of the blade to the ‘pinna’, pinna to ‘pinnule’, pinnule to ‘pinnulet’;
with ‘sori’ that trace the lobed divisions of each subleaflet’s margins.
Saying, how heather extends apically too, in branches of leading long shoots
that branch into short shoots, and leading long shoots that branch into both
short shoots and leading long shoots, making the ‘hemispherical’ shrub
with its concentrically radial flower—criss-crossed from two whorls
of leaf bracts to one darker, mauve, petal-like ‘calyx’, to the inside lighter, pink,
‘corolla’ of the ‘perianth’ (the outer part of the ‘flower’); how, in a cross-section,
we’d see the way its particular nectary sits down below the ‘fruiting’ bulb to
sequester the bell-like corolla of the sequential flower. How the shrub enters
dormancy with clusters of (end-of-season) short shoots that break to long-
leading flowering shoots, and previous, surviving, long shoots might bloom
progressively, downwards; back from the waymarked rim of the ‘Roche à
Sept Heures’ 
where, at 7 AM in the morning, the sun hits the end of our
escarpment, tossing out the éclairant quartz-rich siliceous rock, in a
vitreous éclat of the valley’s crystal: scene of its trailed surface struck
out slab-like; light salvo, under our feet.

Variation of original published in Shearsman 125 & 126, Winter 2020/2021.
Jodie Dalgleish is an itinerant writer, curator and sound artist living in Luxembourg. After ten years of creating exhibitions for New Zealand's Art Museums, she is now focused on exploring the possibilities and constraints of language, especially as it (hopefully) relates to lived, sensorial, experience. Moving between countries (NZ; U.S.A; France; Italy; and Luxembourg), has been germane to her (multilingual) practice. Most recently, her poems have been published in Landfall (NZ); Shearsman Magazine (UK); Salzburg Poetry Review (Austria); and Les Cahiers Luxembourgeois.

Back to AZURE (Volume 5, Issue 4)
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  • ABOUT
    • Our Literary Aesthetic
    • Staff >
      • Writings by Sakina B. Fakhri
    • Contact Us
    • SUBSCRIBE
  • CONTESTS
  • AZURE: A Journal of Literary Thought
    • AZURE Volume 6, Issue 4 >
      • TO THOSE FOUND DEAD IN CHIMNEYS by R.W. Plym
      • WHAT TO EXPECT OF LIFE by Steven G. Kellman
      • IF IT WERE DRAWN by Jessica Reed
      • BLOOD IN THE ORCHIDS by Amanda Kotch
      • CORNELIUS RADHOPPER by Peter Arscott
    • AZURE Volume 6, Issue 3 >
      • ANIMAL INHERITANCE by akhir ali
      • THAT DUDE DERRIDA by Daniel Klawitter
      • FLAT-EARTH FRED by Phil Gallos
      • THE MYSTERY OF THE MISSING SEMICOLON by Orana Loren
      • MY BALDERDASHERY by Eric Paul Shaffer
    • AZURE Volume 6, Issue 2 >
      • MIRROR by Joshua Kepfer
      • CUE FALLING PIANO by D.C. Weaver
      • ANTON AND THE ECHO by Cristina Otero
      • THAT WHICH WE TRULY DON'T KNOW by JOACHIM GLAGE
      • CONGRATULATIONS by Alan Sincic
    • AZURE Volume 6, Issue 1 >
      • NEVER, NEVER LAND, MY SHIP by Mark Pearce
      • THE SMILE OF MONA LISA by Fatima Ijaz
      • OUROBOROS by Esme Sammons
      • THE DEPTHS OF THE SEA by Margaret D. Stetz
      • SNICKER-SNACK by Bruce Meyer
    • AZURE Volume 5, Issue 4 >
      • THE OWLET AND THE TURTLE by Greg Sendi
      • BRACTS and other poems by Nathaniel Calhoun
      • ANSWERS TO NON-EXISTENT QUESTIONS and other poems by Kevin Griffith
      • NEVERENDING KNOT by Jodie Dalgleish
      • LEARNING TO WALK by Jodie Dalgleish
      • OVERSOUL by P.S. Lutz
    • AZURE Volume 5, Issue 3 >
      • MAP OF MEMORY by Jesse Schotter
      • BISMILLAH by Abby Minor
      • MICROMORTS by Veronica Tang
      • LOVE LETTER TO LANGUAGE: AN ABECEDARIAN by Saramanda Swigart
      • IF YOU WERE ALL WATER by M. Ann Reed
    • AZURE Volume 5, Issue 2 >
      • CONTRA FORMALISME by Leland Seese
      • DRUNKEN MAN ON A BICYCLE by Dan Butterworth
      • WOLF TICKETS THROUGH THE FERAL WINTER by Kirk Marshall
      • SYLVANUS, BARD by Marc Lerner
      • THE LOOKING GLASS OF ARTHUR GORDON PYM by Frank Meola
    • AZURE Volume 5, Issue 1 >
      • INTIMATE THINGS by Laylage Courie
      • A SERIES OF PUNCTUATION by Hajar Hussaini
      • ROT AND GLORIANA by Laurel Miram
      • BLUES ON RED by Elie Doubleday
      • MY FICTION: REMEMBERING 50 YEARS OF WORK by Richard Kostelanetz
    • AZURE Volume 4, Issue 4 >
      • ENDNOTES FOR AN ALLOCUTION by Peter Freund
      • UKEMI (and other poems) by Nicole Vento
      • MEMORANDUM ON DESIRE by Laylage Courie
      • THE HOLYWOOD DEUTERONOMY by Jim Shankman
      • AT THE MAD HATTER-MARCH HARE ART GALLERY (and other poems) by M. Ann Reed
    • AZURE Volume 4, Issue 3 >
      • THE MACHINE, STOLEN FIRE, and PERFORMANCE by Vivek Narayan
      • FIRST FRUITS by Stephen Massimilla
      • ONCE UPON A TOMORROW-TIME by Christopher Routheut
      • YIELD LIGHT OF WAY by Ken Goodman
      • SEVEN TALES by Sara Streett
    • AZURE Volume 4, Issue 2 >
      • THE PUNCH-CARD CIPHERS by DF Short
      • SHE WAS THE FIRST TO GIVE A TOAST by Kelli Russell Agodon
      • HABLU L-WARIDI by Jesse Hilson
      • THE KEY TO DREAMS by Sean S. Bentley
      • SOFA, SO GOOD, SORT OF by Remy Ngamije
    • AZURE Volume 4, Issue 1 >
      • STAMPING THE DEAD by Habib Mohana
      • LEGS by A. Joachim Glage
      • I THINK OUTSIDE THE BOX by Heikki Huotari
      • LUŽÁNKY by V.B. Borjen
    • ARCHIVES: VOLUME 3 >
      • AZURE Volume 3, Issue 4 >
        • TALES UNSUITABLE FOR CHILDREN by Devon Ortega
        • WAKE UP by JayJay Conrad
        • AMONG THE MEN IS APRIL by Logo Wei
        • SWEET by Melinda Giordano
        • BLACK ROSES by Osamase Ekhator
        • MEET ME TONIGHT ON METAPHOR STREET by Vivek Narayan
      • AZURE Volume 3, Issue 3 >
        • MENAGE A TROIS, WITH HORSE by Don Dussault
        • THE BLACK by Ben Colandrea
        • BLUE SKY LANGUAGE by Christien Gholson
        • UN DETECTIVE VIEJO by Franco Strong
      • AZURE Volume 3, Issue 2 >
        • THE CLEANSING by Linda Dennard
        • SHUFFLE by Debbie Fox
        • DID YOU FALL OR RISE FROM THE CLOUD OF UNKNOWING? by M. Ann Reed
        • THE PHILOSOPHER AND THE PORNQUEEN by Omar Sabbagh
        • KIGALI MEMORIAL by Carlos Andres Gomez
        • PANTOUM OF THE MEAT by Ouita Rogers
      • AZURE Volume 3, Issue 1 >
        • HOW TO WRITE A BIOGRAPHY by Joanne B. Mulcahy
        • PROTOCOL NINE-NINE-NINE-NINE by Kenneth Hanes
        • LESS' MORE by TWIXT
        • POINTLESS MR. PROBST by Beatriz Seelaender
    • ARCHIVES: VOLUME 2 >
      • AZURE Volume 2, Issue 4 >
        • SYLVAN PASSAGES by Dan Wood
        • SISTER ALONE by Janet M Powers
        • CENTURY 2.1 by Alan Flurry
        • CLAIMED BY THE SEA by Sam Reese
      • AZURE Volume 2, Issue 3 >
        • CROSSHATCHING by M.K. Rainey
        • LULLABY by Barbara Daddino
        • HOUSEMOUTH (and other poems) by Anhvu Buchanan and Brent Piller
        • THE RESIDUE IN PUBLIC TEA AND COFFEE CUPS by V.B. Borjen
        • SYZYGY (and other poems) by Malorie Seeley-Sherwood
      • AZURE Volume 2, Issue 2 >
        • DRAGONFLIES: A DISCOURSE ON ANXIETY by Lara Lillibridge
        • AND RICHARD BURBAGE ALSO HAD A SISTER by Freya Shipley
        • THE WATCHERS by M.K. Rainey
        • JAZZ INTERACTION WITH SYMBOLS by Sarah T.
        • SPIDER (and other poems) by Natalie Crick
      • AZURE Volume 2, Issue 1 >
        • ECHOES by Daniel Freeman
        • MAPS by Susan Brennan
        • EDGAR'S FATHER'S MAGIC WORDS by JWM Morgan
        • LOCKJAW: IN TWO ACTS by James Blevins
        • WHAT THE LIVING DO by Susan Wadds
    • Archives: Volume 1 >
      • AZURE Volume 1, Issue 10 >
        • SUSURROS DE RECURRENCIA by Franco Strong
        • THE OLD MAN by Sarah T.
        • PERMUTATIONS by Laura Cesarco Eglin
        • WORLD PEACE 3 by Gustavo Alberto Garcia Vaca
      • AZURE Volume 1, Issue 9 >
        • LITTLE GHOST by Danny Judge
        • THE LAST ALLUSIONIST by Sakina B. Fakhri
        • CHURCH by Diana McClure
      • AZURE Volume 1, Issue 8 >
        • DEVIL IN A BLUE DRESS by Nancy Flynn
        • WHAT I COULDN'T SAY by Erika Ranee & Diana McClure
      • AZURE Volume 1, Issue 7 >
        • BRASS TYRANT AND THE AMERICAN THIRST by Kirk Marshall
        • LADY KILLER by Monika Viola
        • THE RIBBONS by Ferguson Williams
      • AZURE Volume 1, Issue 6 >
        • AURELIA: A BALLET IN PROSE (ACT 2 - Part 1) by Sakina B. Fakhri
        • NEW AGE UNCAGED by Frank Light
      • AZURE Volume 1, Issue 5 >
        • THE TRIALS OF TOBIT by Joseph Lisowski
        • LIKE MANY GIANT FOOTPRINTS (and other poems) by William Doreski
        • AURELIA: A BALLET IN PROSE (ACT I) by Sakina B. Fakhri
      • AZURE Volume 1, Issue 4 >
        • WARDENCLIFF by Barbara Daddino
        • BETTER LIVING THROUGH CHEMISTRY by Reg Darling
        • AURELIA: A BALLET IN PROSE (LIBRETTO) by Sakina B. Fakhri
      • AZURE Volume 1, Issue 3 >
        • LAWTON, OKLAHOMA by Mark Lawley
        • TWEETY BIRD'S GRACE by Diana McClure
        • CONTAGION AND THE DINNER GUEST by Sakina B. Fakhri
        • ON POETRY AND PROSE by Sakina B. Fakhri
      • AZURE Volume 1, Issue 2 >
        • TWO MICE IN A BLACK BOX & THE DECONSTRUCTION OF LANGUAGE by Sakina B. Fakhri
      • AZURE Volume 1, Issue 1 >
        • CHARACTER SKETCHES by Diana McClure
        • SEASONS ON A GRAVESTONE by Sakina B. Fakhri
        • COCKTAIL PARTY by Diana McClure
        • DESUETUDE by Sakina B. Fakhri
  • LIBRARY SHOP
  • SUBMISSIONS
  • BLOG
  • Lazuli Reading Series
  • Literary Links