LAZULI LITERARY GROUP
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  • AZURE: A Journal of Literary Thought
    • AZURE Volume 8 >
      • Arachnidaea: Line Drawings by Stephen C. Pollock
      • The Flesh of Death Is the Fabric of Life by Lucie Chou
      • ALMOST STALE by Nathaniel Calhoun
      • CUCUMBER SALAD by Michael Pearce
      • PRACTICAL MEDICAL ADVICE FOR FEMALE SUBJECTS OF THE CAPE COLONY by Karen Jennings
      • PLAN B and others by M.B. McLatchey
      • IDIOSYNCRATIC ICONS: A MANIFESTO by Richard Collins
      • THE DARDANELLES (HERO AND LEANDER AT 60) by Greg Sendi
      • AN APPRECIATION OF THE SCHOLAR, ADALBERT by Vincent Mannings
      • ONE PARTING, YIELDING LINE by M. Ann Reed
      • THE RIVER FISHER'S DAUGHTER by Kirk Marshall
      • BEYOND THE GREAT HORIZON WALL by Kenny Kuhn
      • BLOOM by Michael Gessner
      • SOMETHING, I KNOW NOT WHAT by Ray Corvi
      • OF BUTLERS AND SPIES by Austin Barnes
      • WHAT THE FIRST GOD SPOKE I THINK WAS SUN by Richard Hague
      • SEELENKNARREN by Lorenz Poeschl
    • AZURE Volume 7, Issue 3 >
      • DECEMBER 25, 2022 by Aletha Irby
      • A SUMMARY OF 'A BRIEF HISTORY OF NASOCARPIA' by Peter Arscott
      • CARRYING CAPACITY by Charles Byrne
      • THE MUNE MONOLOGUES by Thomas Townsley
    • AZURE Volume 7, Issue 2 >
      • VARIATION ON A THEME & POSE POEM by Norman Minnick
      • THE MAP OF YOUR HANDS UNFOLDS A DOVE by Vikki C.
      • HISTORIES OF THE BEARD by Richard Hague
      • ILLUSTRATED COMMENTS ON THE APOPHATAPATAPHYSICAL METRICS OF COSMIC HUMOR by edo strannikov
    • AZURE Volume 7, Issue 1 >
      • ORANGES by John Moody
      • THE LACONIA by Wendy Webb
      • BREATH OF THE TEXT by Jeremiah Cassar Scalia
    • AZURE Volume 6, Issue 4 >
      • TO THOSE FOUND DEAD IN CHIMNEYS by R.W. Plym
      • WHAT TO EXPECT OF LIFE by Steven G. Kellman
      • IF IT WERE DRAWN by Jessica Reed
      • BLOOD IN THE ORCHIDS by Amanda Kotch
      • CORNELIUS RADHOPPER by Peter Arscott
    • AZURE Volume 6, Issue 3 >
      • ANIMAL INHERITANCE by akhir ali
      • THAT DUDE DERRIDA by Daniel Klawitter
      • FLAT-EARTH FRED by Phil Gallos
      • THE MYSTERY OF THE MISSING SEMICOLON by Orana Loren
      • MY BALDERDASHERY by Eric Paul Shaffer
    • AZURE Volume 6, Issue 2 >
      • MIRROR by Joshua Kepfer
      • CUE FALLING PIANO by D.C. Weaver
      • ANTON AND THE ECHO by Cristina Otero
      • THAT WHICH WE TRULY DON'T KNOW by JOACHIM GLAGE
      • CONGRATULATIONS by Alan Sincic
    • AZURE Volume 6, Issue 1 >
      • NEVER, NEVER LAND, MY SHIP by Mark Pearce
      • THE SMILE OF MONA LISA by Fatima Ijaz
      • OUROBOROS by Esme Sammons
      • THE DEPTHS OF THE SEA by Margaret D. Stetz
      • SNICKER-SNACK by Bruce Meyer
    • AZURE Volume 5, Issue 4 >
      • THE OWLET AND THE TURTLE by Greg Sendi
      • BRACTS and other poems by Nathaniel Calhoun
      • ANSWERS TO NON-EXISTENT QUESTIONS and other poems by Kevin Griffith
      • NEVERENDING KNOT by Jodie Dalgleish
      • LEARNING TO WALK by Jodie Dalgleish
      • OVERSOUL by P.S. Lutz
    • AZURE Volume 5, Issue 3 >
      • MAP OF MEMORY by Jesse Schotter
      • BISMILLAH by Abby Minor
      • MICROMORTS by Veronica Tang
      • LOVE LETTER TO LANGUAGE: AN ABECEDARIAN by Saramanda Swigart
      • IF YOU WERE ALL WATER by M. Ann Reed
    • AZURE Volume 5, Issue 2 >
      • CONTRA FORMALISME by Leland Seese
      • DRUNKEN MAN ON A BICYCLE by Dan Butterworth
      • WOLF TICKETS THROUGH THE FERAL WINTER by Kirk Marshall
      • SYLVANUS, BARD by Marc Lerner
      • THE LOOKING GLASS OF ARTHUR GORDON PYM by Frank Meola
    • AZURE Volume 5, Issue 1 >
      • INTIMATE THINGS by Laylage Courie
      • A SERIES OF PUNCTUATION by Hajar Hussaini
      • ROT AND GLORIANA by Laurel Miram
      • BLUES ON RED by Elie Doubleday
      • MY FICTION: REMEMBERING 50 YEARS OF WORK by Richard Kostelanetz
    • AZURE Volume 4, Issue 4 >
      • ENDNOTES FOR AN ALLOCUTION by Peter Freund
      • UKEMI (and other poems) by Nicole Vento
      • MEMORANDUM ON DESIRE by Laylage Courie
      • THE HOLYWOOD DEUTERONOMY by Jim Shankman
      • AT THE MAD HATTER-MARCH HARE ART GALLERY (and other poems) by M. Ann Reed
    • AZURE Volume 4, Issue 3 >
      • THE MACHINE, STOLEN FIRE, and PERFORMANCE by Vivek Narayan
      • FIRST FRUITS by Stephen Massimilla
      • ONCE UPON A TOMORROW-TIME by Christopher Routheut
      • YIELD LIGHT OF WAY by Ken Goodman
      • SEVEN TALES by Sara Streett
    • AZURE Volume 4, Issue 2 >
      • THE PUNCH-CARD CIPHERS by DF Short
      • SHE WAS THE FIRST TO GIVE A TOAST by Kelli Russell Agodon
      • HABLU L-WARIDI by Jesse Hilson
      • THE KEY TO DREAMS by Sean S. Bentley
      • SOFA, SO GOOD, SORT OF by Remy Ngamije
    • AZURE Volume 4, Issue 1 >
      • STAMPING THE DEAD by Habib Mohana
      • LEGS by A. Joachim Glage
      • I THINK OUTSIDE THE BOX by Heikki Huotari
      • LUŽÁNKY by V.B. Borjen
    • ARCHIVES: VOLUME 3 >
      • AZURE Volume 3, Issue 4 >
        • TALES UNSUITABLE FOR CHILDREN by Devon Ortega
        • WAKE UP by JayJay Conrad
        • AMONG THE MEN IS APRIL by Logo Wei
        • SWEET by Melinda Giordano
        • BLACK ROSES by Osamase Ekhator
        • MEET ME TONIGHT ON METAPHOR STREET by Vivek Narayan
      • AZURE Volume 3, Issue 3 >
        • MENAGE A TROIS, WITH HORSE by Don Dussault
        • THE BLACK by Ben Colandrea
        • BLUE SKY LANGUAGE by Christien Gholson
        • UN DETECTIVE VIEJO by Franco Strong
      • AZURE Volume 3, Issue 2 >
        • THE CLEANSING by Linda Dennard
        • SHUFFLE by Debbie Fox
        • DID YOU FALL OR RISE FROM THE CLOUD OF UNKNOWING? by M. Ann Reed
        • THE PHILOSOPHER AND THE PORNQUEEN by Omar Sabbagh
        • KIGALI MEMORIAL by Carlos Andres Gomez
        • PANTOUM OF THE MEAT by Ouita Rogers
      • AZURE Volume 3, Issue 1 >
        • HOW TO WRITE A BIOGRAPHY by Joanne B. Mulcahy
        • PROTOCOL NINE-NINE-NINE-NINE by Kenneth Hanes
        • LESS' MORE by TWIXT
        • POINTLESS MR. PROBST by Beatriz Seelaender
    • ARCHIVES: VOLUME 2 >
      • AZURE Volume 2, Issue 4 >
        • SYLVAN PASSAGES by Dan Wood
        • SISTER ALONE by Janet M Powers
        • CENTURY 2.1 by Alan Flurry
        • CLAIMED BY THE SEA by Sam Reese
      • AZURE Volume 2, Issue 3 >
        • CROSSHATCHING by M.K. Rainey
        • LULLABY by Barbara Daddino
        • HOUSEMOUTH (and other poems) by Anhvu Buchanan and Brent Piller
        • THE RESIDUE IN PUBLIC TEA AND COFFEE CUPS by V.B. Borjen
        • SYZYGY (and other poems) by Malorie Seeley-Sherwood
      • AZURE Volume 2, Issue 2 >
        • DRAGONFLIES: A DISCOURSE ON ANXIETY by Lara Lillibridge
        • AND RICHARD BURBAGE ALSO HAD A SISTER by Freya Shipley
        • THE WATCHERS by M.K. Rainey
        • JAZZ INTERACTION WITH SYMBOLS by Sarah T.
        • SPIDER (and other poems) by Natalie Crick
      • AZURE Volume 2, Issue 1 >
        • ECHOES by Daniel Freeman
        • MAPS by Susan Brennan
        • EDGAR'S FATHER'S MAGIC WORDS by JWM Morgan
        • LOCKJAW: IN TWO ACTS by James Blevins
        • WHAT THE LIVING DO by Susan Wadds
    • Archives: Volume 1 >
      • AZURE Volume 1, Issue 10 >
        • SUSURROS DE RECURRENCIA by Franco Strong
        • THE OLD MAN by Sarah T.
        • PERMUTATIONS by Laura Cesarco Eglin
        • WORLD PEACE 3 by Gustavo Alberto Garcia Vaca
      • AZURE Volume 1, Issue 9 >
        • LITTLE GHOST by Danny Judge
        • THE LAST ALLUSIONIST by Sakina B. Fakhri
        • CHURCH by Diana McClure
      • AZURE Volume 1, Issue 8 >
        • DEVIL IN A BLUE DRESS by Nancy Flynn
        • WHAT I COULDN'T SAY by Erika Ranee & Diana McClure
      • AZURE Volume 1, Issue 7 >
        • BRASS TYRANT AND THE AMERICAN THIRST by Kirk Marshall
        • LADY KILLER by Monika Viola
        • THE RIBBONS by Ferguson Williams
      • AZURE Volume 1, Issue 6 >
        • AURELIA: A BALLET IN PROSE (ACT 2 - Part 1) by Sakina B. Fakhri
        • NEW AGE UNCAGED by Frank Light
        • IMMIGRATION/INTEGRATION by Jaret Vadera & Diana McClure
      • AZURE Volume 1, Issue 5 >
        • THE TRIALS OF TOBIT by Joseph Lisowski
        • LIKE MANY GIANT FOOTPRINTS (and other poems) by William Doreski
        • AURELIA: A BALLET IN PROSE (ACT I) by Sakina B. Fakhri
      • AZURE Volume 1, Issue 4 >
        • WARDENCLIFF by Barbara Daddino
        • BETTER LIVING THROUGH CHEMISTRY by Reg Darling
        • AURELIA: A BALLET IN PROSE (LIBRETTO) by Sakina B. Fakhri
      • AZURE Volume 1, Issue 3 >
        • LAWTON, OKLAHOMA by Mark Lawley
        • TWEETY BIRD'S GRACE by Diana McClure
        • CONTAGION AND THE DINNER GUEST by Sakina B. Fakhri
        • ON POETRY AND PROSE by Sakina B. Fakhri
      • AZURE Volume 1, Issue 2 >
        • TWO MICE IN A BLACK BOX & THE DECONSTRUCTION OF LANGUAGE by Sakina B. Fakhri
      • AZURE Volume 1, Issue 1 >
        • CHARACTER SKETCHES by Diana McClure
        • SEASONS ON A GRAVESTONE by Sakina B. Fakhri
        • COCKTAIL PARTY by Diana McClure
        • DESUETUDE by Sakina B. Fakhri
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THE LAZULI STAFF


Founding and Contributing Editors


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Sakina B. Fakhri
co-founder and chief editor

Sakina B. Fakhri is a novelist and screenwriter based in Brooklyn. Prior to her role as chief editor at Lazuli, she was co-founder and teacher at a high school in Cairo, Egypt, where she headed the English department. She now owns and runs Scintilla Tutors, a boutique test prep company in NYC. She has won multiple industry awards for her screenwriting and was the head writer for "Time Hoppers: The Silk Road", a television series developed by Milo Productions. Sakina received her B.A. in literature from Northwestern University and her M.A. from New York University.
 
Sakina’s literary aesthetic tends towards theme-driven ornate prose, lyrical fiction, controlled absurdism, and political satire. Her first novel, The Speech of Flowers and Voiceless Things, probes the idea of a web of globalized mistranslations against a backdrop of a personable philanthropic enterprise and a caricaturesque dictator. Her first short film, "The Word Trader," debuted in 2013 at the Cannes Film Festival Court Metrage; her second short film, “Corner Piece,” was the winner of the 2015 Los Angeles Movie Award for Best Screenplay.
 
Sakina’s fiction has been published in Gemini Magazine and Hive. She continues to develop television and feature film concepts as she writes her second novel, which intertwines motifs of micro-trading, blindness, particle physics, and ballet. [Read Sakina's writing here.]

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Diana McClure
co-founder and editor-at-large

Diana McClure is an artist and writer based in New York City. She is a contributing writer to the School of Visual Arts’ Visual Arts Journal and has written for Art Basel, Cultured, Photograph, Afropunk, Art in America, Pratt Institute’s Prattfolio, exhibition catalogs, and artist monographs, among other outlets. Diana’s artwork has been on view at The Philadelphia African American Museum, Edge Zones Miami, Baltimore Museum of Art, Judy Chicago’s Envisioning the Future project in Southern California, New York University and elsewhere.
 
Diana is a graduate of Columbia University and The New School for Social Research, where she studied history and sociology. She was part-time faculty in the Department of Photography & Imaging at New York University’s Tisch School of the Arts from 2016-2021 and was a 2023 participant in the Image Text Workshop Residency at Cornell University AAP hosted by The Soil Factory in Ithaca, New York. In spring 2025, she completed the Brooklyn Botanic Garden Certificate in Horticulture.
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Diana has received grants and fellowships from New York State Council on the Arts, The New School for Social Research and the Abhaya Yoga Foundation. With Sakina Fakhri, she is the co-founder of Lazuli Literary Group.

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Velid Beganovic Borjen
contributing editor

V. B. Borjen (he/they) is a Yugoslav-born writer and visual artist based in the Czech Republic. His first poetry manuscript in Bosnian won the 2012 Mak Dizdar Award and was published in 2013 as Priručnik za levitiranje. His second poetry manuscript, Odjezd, won the 2021 Darma Books Best Manuscript Contest in Belgrade and is to be published shortly. Borjen's poetry and fiction written originally in English have been featured in BOMB, The Rumpus, AZURE: A Journal of Literary Thought, Grist Journal, EcoTheo Review, Rattle, The Maine Review and elsewhere. 

His visual art can be found, among others, on the pages of magazines such as High Shelf, Folio, Parentheses and Honey & Lime. In 2024 he had the first solo exhibition of his paintings in Brno, Always Despite.

Borjen is the recipient of the 2025 PEN America/Heim Translation Fund for his work-in-progress translation of Nataša Skazlić’s novel Cherries, published in Croatian as Bidon in 2015. He also serves as Guest Editor of the US poetry magazine Palette, responsible for editorial feedback letters. Borjen holds a PhD in Literatures in English from Masaryk University, Czech Republic, and his academic interests include Modernism, various communities of artists and intellectuals who lived in the first half of the twentieth century, as well as literatures of peace and exile. In his academic work he has mostly focused on Virginia Woolf and the Bloomsbury Group. (You can read some of it here.) He can be reached on Instagram (samoniklo), X (@Borjen), or LinkedIn (www.linkedin.com/in/velid-beganovic-borjen).

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Laylage Courie
contributing editor

Laylage Courie is a writer and performer who makes things from words; things includes concept albums, art-pop songs, collage, performances, poems, and genre-bending texts such as Intimate Things.
 
Her work has appeared on stages all over New York, streaming through sound systems all over the world, and in literary publications including Fence, Adbusters, and the performance journal The Open Page. She lives on the vertices of the triangle between Georgia, New York City, and the Delaware River Valley, with the enchantments of her imagination and a potted garden for companions. Her recording of Heloise’s Song is available online for your listening pleasure; you can find it and much more at luminouswork.org.

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Katherine Don
contributing editor and publicity/communications

Katherine Don is a Chicago-based author, journalist, book editor, and communications consultant. She is a reporter and editor at the news publication Inside Philanthropy, where she covers the arts, criminal justice reform, and gender justice, and was previously a regular contributor at Bustle and Romper, where she covered politics, culture, and entertainment. Katherine also freelances as a communications consultant for foundations and nonprofits.
 
Katherine has been an author or contributing writer of nearly a dozen nonfiction books, including Power of the Dog (St. Martin’s Press), several books in the Armchair Reader book series, Real Courage: The Story of Harper Lee (Morgan Reynolds), and The Inside Philanthropy Reader. Along with author Sonja Trom Eayrs, Katherine was the co-writer of Dodge County, Incorporated: Big Ag and the Undoing of Rural America (University of Nebraska Press), which won the Midwest Book Award for nonfiction. Katherine runs a boutique book editing company, yourbookdon.com, where she has collaborated with many award-winning authors writing in a range of genres. She is proud to partner with Lazuli Literary Group, which publishes incredible fiction, lovingly unearths previously undiscovered voices and talents, and celebrates the written word with unique lectures, courses, and performances.

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Stephen Harris
copyeditor

Stephen Harris was born with jaundice but defeated the illness within three days. “I ain’t yella,” the four-day old infant was heard bragging to the pediatric nurses. Born in 1985, he became obsessed with underground and alternative comix and 1950s EC horror. He began publishing his comics at twelve, and ever since then he’s been in love with the medium.
 
Stephen graduated from the University of New Orleans in 2008 with a degree in film production, but he dove headfirst into theory when he entered grad school in English that same year. After reading far too many books written by adjunct professors about the lives they lead after graduation, Stephen dropped out before completing his thesis, but has since published three of the four chapters he had intended to write (see: https://brightlightsfilm.com/author/stephenharris/).
 
Stephen has worked in the hospitality industry, has been a writing instructor, and for over fifteen years has been a freelance writer, editor, and researcher, with a diverse portfolio including academic publications, books, and professional reports. Stephen has worked as a copy editor and proofreader for Lazuli Literary Group on an as-needed basis since 2020. It’s easily his favorite project on which to work.

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Kirk Marshall
contributing editor  

Kirk Marshall (@AttackRetweet) is a Brisbane-born writer, teacher, fundraiser, and hellraiser living in Melbourne, Australia.
 
He is the author of an illustrated miscellany (A Solution to Economic Depression in Little Tokyo, 1953); a fiction chapbook (A Brief Study of the Dissolute Properties of Comedy When You're Propelled Off Your Speeding Motorcycle Into A Sharp Asphalt Road, And Your Name Is Takeshi Kitano) published by Dynatox Ministries (New Jersey, USA); a novella (The Signatory) published by Skylight Press (Gloucestershire, U.K.); and two collections of fiction: Carnivalesque, And: Other Stories, published by Black Rider Press (Perth/Sydney, Australia); and Popcorn In the Barrel: Stories, published by KUBOA Press (Pennsylvania, USA). His début photostory/poetry chapbook (Ghostyawp: Overshares from an Autopsy) is forthcoming from Corona/Samizdat Books (Slovenia, EU) in 2025.
 
He has written for more than eighty publications, both in Australia and overseas, including: Award-Winning Australian Writing; Island; Wet Ink; Going Down Swinging; Voiceworks; Verandah; visible ink; fourW; Cordite; Mascara Literary Review; frankie; The Grapple Annual; 3:AM Magazine (France), Vol. 1 Brooklyn (U.S.A.); and AZURE: A Journal of Literary Thought (U.S.A.). He has received various grants, awards, shortlistings, and commendations for his writing, and has held various teaching positions, including at RMIT University in Melbourne. In 2025, he was awarded a summer travelling residency to commence work in Iceland on a mythopœic intaglio-illustrated verse novel, concerning the ecology and ethology of snow dragons.
 
Most recently, a standalone chapter from his hillbilly apocalypse novel secured a nomination for The Pushcart Prize. He writes for dollars and dinosaurs as a senior philanthropy coordinator at Museums Victoria.

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M. Ann Reed
contributing editor

M. Ann Reed is a writer, poet, and professor of English literature, performance studies, and theory of knowledge. She is an international teacher and learner who offers the bio-poetic organic unity study of literature in support of the Deep Ecology Movement for global and local academics. M. Ann was awarded a doctorate in theater arts and performance studies, and her continued education includes Jungian psychology studies. Her published literary essays are cited or remarked upon in journals of medicine, literature, and psychology.
 
M. Ann is also a Chinese calligrapher and brush-painter. Her work has been exhibited in Oregon, New Mexico, and the Shenzhen Fine Arts Museum in China. She previously partnered with the poet Paulann Petersen and Friends of William Stafford to offer his poems for birthday celebrations in Malaysia, Ukraine, and Bosnia-Herzegovina.
 
M. Ann’s first book, Strange Kindness, was co-authored with Mabel S. Chu Tow and first published at  University Press of America. It is now curated by Rowman & Littlefield. An award-winning poet, M. Ann has published poems in various literary arts journals, including Psychological Perspectives and AZURE: A Journal of Literary Thought. Her chapbooks include making oxygen, remaining inside this pure hollow note (Finishing Line Press, 2021) and ekphrastics & eccentricities (Kelsay Books, 2023). Her full-length collection of poetry, he for she she for he, was published by Kelsay Books in February 2025.

Artists and Performers


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Evgenia Barsheva
co-founder and illustrator

Evgenia Barsheva is a self-taught artist who delights in both the grandeur and the intricacies of the natural world. She brings her deep knowledge of florals and strength of observation of animals into her drawings, equally comfortable working in both black-and-white and color formats. She can often be spotted at the edge of the beach sketching shorelines or rendering delicate depictions of wildlife wherever it is to be found.
 
Hailing from Moscow, Russia, Evgenia is currently based in New York City. In addition to composing her independent artwork, Evgenia works as an in-house illustrator for Lazuli Literary Group, creating customized illustrations for its associated literary magazine AZURE: A Journal of Literary Thought. She is also commissioned to create personalized artwork for gifts and event backdrops.

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Abby Abdel-Khalek
performer at Lazuli classes and salons

Abby Abdel-Khalek is a violinist and composer from Los Angeles, CA. She studied at the Colburn pre-college program and from there went to the Cleveland Institute of Music for her bachelor’s. It was from there that her love for film music blossomed and she returned to Los Angeles to work for Hans Zimmer at his studio, Remote Control Productions. She can be heard on numerous shows such as BBC’s Planet Earth II and The Strain, among others. Abby later joined forces with Ann Marie Calhoun and Michael Einziger to create String Mob, a string contracting company. They worked with artists such as Pharrell, Justin Bieber, Pentatonix, Steve Martin, and Skrillex, among others. 
 
Abby has performed as a session violinist for countless films and television shows. She has also been composing for visual media. You can find her at her website: www.abbyabdelkhalek.com

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Nora Kelly
live sketch artist

Nora Kelly (she/her) is an illustrator, oil painter and muralist based in Montreal, Quebec.  Her professional art career started in Mexico City, when she apprenticed with the muraling company Street Art Chilango. From there, she traveled across North America painting murals for small businesses and private residences.
 
When the pandemic struck, Nora transferred her passion of painting to oil on canvas and illustration. Kelly currently works as an editorial illustrator, creating work for online and print media outlets, designing book covers, and most recently illustrating children’s books. Her paintings have been jury-selected contributions of the Art Volt Collective. She lives with her Boston Terrier named Squid and sings/plays guitar in an alt-rock band called the Nora Kelly Band. Her website is www.norakellyart.com 

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Alifiyah Vali
book designer

As the Creative Lead of Studio Whyte, Alifiyah Vali brings a flair for the extraordinary. With an interior designer’s passion for spatial narrative, a furniture designer’s precision and a graphic designer’s originality, she adds a multidisciplinary approach to the design process. Her global interior design experience spanning New York, San Francisco, Europe, and the Middle East is studded with award-winning projects, high-profile government contracts, Michelin-starred restaurants, and premier cruise liners. Having begun her journey with John R. Harris Architects, Alifiyah later trained under world-famous interior and furniture designers in Copenhagen and New York City and ultimately led her own design-build firm for two decades. She holds a BFA in Interior Design from the American University in Dubai and an MS in Interior Design from Pratt Institute in New York.​
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© Lazuli Literary Group 2025  |  [email protected]  |  847.970.2506 
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Illustrations & Logo by Evgenia Barsheva 


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  • ABOUT
    • Our Literary Aesthetic
    • Staff
    • Contact Us
    • SUBSCRIBE
  • CONTESTS
  • AZURE: A Journal of Literary Thought
    • AZURE Volume 8 >
      • Arachnidaea: Line Drawings by Stephen C. Pollock
      • The Flesh of Death Is the Fabric of Life by Lucie Chou
      • ALMOST STALE by Nathaniel Calhoun
      • CUCUMBER SALAD by Michael Pearce
      • PRACTICAL MEDICAL ADVICE FOR FEMALE SUBJECTS OF THE CAPE COLONY by Karen Jennings
      • PLAN B and others by M.B. McLatchey
      • IDIOSYNCRATIC ICONS: A MANIFESTO by Richard Collins
      • THE DARDANELLES (HERO AND LEANDER AT 60) by Greg Sendi
      • AN APPRECIATION OF THE SCHOLAR, ADALBERT by Vincent Mannings
      • ONE PARTING, YIELDING LINE by M. Ann Reed
      • THE RIVER FISHER'S DAUGHTER by Kirk Marshall
      • BEYOND THE GREAT HORIZON WALL by Kenny Kuhn
      • BLOOM by Michael Gessner
      • SOMETHING, I KNOW NOT WHAT by Ray Corvi
      • OF BUTLERS AND SPIES by Austin Barnes
      • WHAT THE FIRST GOD SPOKE I THINK WAS SUN by Richard Hague
      • SEELENKNARREN by Lorenz Poeschl
    • AZURE Volume 7, Issue 3 >
      • DECEMBER 25, 2022 by Aletha Irby
      • A SUMMARY OF 'A BRIEF HISTORY OF NASOCARPIA' by Peter Arscott
      • CARRYING CAPACITY by Charles Byrne
      • THE MUNE MONOLOGUES by Thomas Townsley
    • AZURE Volume 7, Issue 2 >
      • VARIATION ON A THEME & POSE POEM by Norman Minnick
      • THE MAP OF YOUR HANDS UNFOLDS A DOVE by Vikki C.
      • HISTORIES OF THE BEARD by Richard Hague
      • ILLUSTRATED COMMENTS ON THE APOPHATAPATAPHYSICAL METRICS OF COSMIC HUMOR by edo strannikov
    • AZURE Volume 7, Issue 1 >
      • ORANGES by John Moody
      • THE LACONIA by Wendy Webb
      • BREATH OF THE TEXT by Jeremiah Cassar Scalia
    • AZURE Volume 6, Issue 4 >
      • TO THOSE FOUND DEAD IN CHIMNEYS by R.W. Plym
      • WHAT TO EXPECT OF LIFE by Steven G. Kellman
      • IF IT WERE DRAWN by Jessica Reed
      • BLOOD IN THE ORCHIDS by Amanda Kotch
      • CORNELIUS RADHOPPER by Peter Arscott
    • AZURE Volume 6, Issue 3 >
      • ANIMAL INHERITANCE by akhir ali
      • THAT DUDE DERRIDA by Daniel Klawitter
      • FLAT-EARTH FRED by Phil Gallos
      • THE MYSTERY OF THE MISSING SEMICOLON by Orana Loren
      • MY BALDERDASHERY by Eric Paul Shaffer
    • AZURE Volume 6, Issue 2 >
      • MIRROR by Joshua Kepfer
      • CUE FALLING PIANO by D.C. Weaver
      • ANTON AND THE ECHO by Cristina Otero
      • THAT WHICH WE TRULY DON'T KNOW by JOACHIM GLAGE
      • CONGRATULATIONS by Alan Sincic
    • AZURE Volume 6, Issue 1 >
      • NEVER, NEVER LAND, MY SHIP by Mark Pearce
      • THE SMILE OF MONA LISA by Fatima Ijaz
      • OUROBOROS by Esme Sammons
      • THE DEPTHS OF THE SEA by Margaret D. Stetz
      • SNICKER-SNACK by Bruce Meyer
    • AZURE Volume 5, Issue 4 >
      • THE OWLET AND THE TURTLE by Greg Sendi
      • BRACTS and other poems by Nathaniel Calhoun
      • ANSWERS TO NON-EXISTENT QUESTIONS and other poems by Kevin Griffith
      • NEVERENDING KNOT by Jodie Dalgleish
      • LEARNING TO WALK by Jodie Dalgleish
      • OVERSOUL by P.S. Lutz
    • AZURE Volume 5, Issue 3 >
      • MAP OF MEMORY by Jesse Schotter
      • BISMILLAH by Abby Minor
      • MICROMORTS by Veronica Tang
      • LOVE LETTER TO LANGUAGE: AN ABECEDARIAN by Saramanda Swigart
      • IF YOU WERE ALL WATER by M. Ann Reed
    • AZURE Volume 5, Issue 2 >
      • CONTRA FORMALISME by Leland Seese
      • DRUNKEN MAN ON A BICYCLE by Dan Butterworth
      • WOLF TICKETS THROUGH THE FERAL WINTER by Kirk Marshall
      • SYLVANUS, BARD by Marc Lerner
      • THE LOOKING GLASS OF ARTHUR GORDON PYM by Frank Meola
    • AZURE Volume 5, Issue 1 >
      • INTIMATE THINGS by Laylage Courie
      • A SERIES OF PUNCTUATION by Hajar Hussaini
      • ROT AND GLORIANA by Laurel Miram
      • BLUES ON RED by Elie Doubleday
      • MY FICTION: REMEMBERING 50 YEARS OF WORK by Richard Kostelanetz
    • AZURE Volume 4, Issue 4 >
      • ENDNOTES FOR AN ALLOCUTION by Peter Freund
      • UKEMI (and other poems) by Nicole Vento
      • MEMORANDUM ON DESIRE by Laylage Courie
      • THE HOLYWOOD DEUTERONOMY by Jim Shankman
      • AT THE MAD HATTER-MARCH HARE ART GALLERY (and other poems) by M. Ann Reed
    • AZURE Volume 4, Issue 3 >
      • THE MACHINE, STOLEN FIRE, and PERFORMANCE by Vivek Narayan
      • FIRST FRUITS by Stephen Massimilla
      • ONCE UPON A TOMORROW-TIME by Christopher Routheut
      • YIELD LIGHT OF WAY by Ken Goodman
      • SEVEN TALES by Sara Streett
    • AZURE Volume 4, Issue 2 >
      • THE PUNCH-CARD CIPHERS by DF Short
      • SHE WAS THE FIRST TO GIVE A TOAST by Kelli Russell Agodon
      • HABLU L-WARIDI by Jesse Hilson
      • THE KEY TO DREAMS by Sean S. Bentley
      • SOFA, SO GOOD, SORT OF by Remy Ngamije
    • AZURE Volume 4, Issue 1 >
      • STAMPING THE DEAD by Habib Mohana
      • LEGS by A. Joachim Glage
      • I THINK OUTSIDE THE BOX by Heikki Huotari
      • LUŽÁNKY by V.B. Borjen
    • ARCHIVES: VOLUME 3 >
      • AZURE Volume 3, Issue 4 >
        • TALES UNSUITABLE FOR CHILDREN by Devon Ortega
        • WAKE UP by JayJay Conrad
        • AMONG THE MEN IS APRIL by Logo Wei
        • SWEET by Melinda Giordano
        • BLACK ROSES by Osamase Ekhator
        • MEET ME TONIGHT ON METAPHOR STREET by Vivek Narayan
      • AZURE Volume 3, Issue 3 >
        • MENAGE A TROIS, WITH HORSE by Don Dussault
        • THE BLACK by Ben Colandrea
        • BLUE SKY LANGUAGE by Christien Gholson
        • UN DETECTIVE VIEJO by Franco Strong
      • AZURE Volume 3, Issue 2 >
        • THE CLEANSING by Linda Dennard
        • SHUFFLE by Debbie Fox
        • DID YOU FALL OR RISE FROM THE CLOUD OF UNKNOWING? by M. Ann Reed
        • THE PHILOSOPHER AND THE PORNQUEEN by Omar Sabbagh
        • KIGALI MEMORIAL by Carlos Andres Gomez
        • PANTOUM OF THE MEAT by Ouita Rogers
      • AZURE Volume 3, Issue 1 >
        • HOW TO WRITE A BIOGRAPHY by Joanne B. Mulcahy
        • PROTOCOL NINE-NINE-NINE-NINE by Kenneth Hanes
        • LESS' MORE by TWIXT
        • POINTLESS MR. PROBST by Beatriz Seelaender
    • ARCHIVES: VOLUME 2 >
      • AZURE Volume 2, Issue 4 >
        • SYLVAN PASSAGES by Dan Wood
        • SISTER ALONE by Janet M Powers
        • CENTURY 2.1 by Alan Flurry
        • CLAIMED BY THE SEA by Sam Reese
      • AZURE Volume 2, Issue 3 >
        • CROSSHATCHING by M.K. Rainey
        • LULLABY by Barbara Daddino
        • HOUSEMOUTH (and other poems) by Anhvu Buchanan and Brent Piller
        • THE RESIDUE IN PUBLIC TEA AND COFFEE CUPS by V.B. Borjen
        • SYZYGY (and other poems) by Malorie Seeley-Sherwood
      • AZURE Volume 2, Issue 2 >
        • DRAGONFLIES: A DISCOURSE ON ANXIETY by Lara Lillibridge
        • AND RICHARD BURBAGE ALSO HAD A SISTER by Freya Shipley
        • THE WATCHERS by M.K. Rainey
        • JAZZ INTERACTION WITH SYMBOLS by Sarah T.
        • SPIDER (and other poems) by Natalie Crick
      • AZURE Volume 2, Issue 1 >
        • ECHOES by Daniel Freeman
        • MAPS by Susan Brennan
        • EDGAR'S FATHER'S MAGIC WORDS by JWM Morgan
        • LOCKJAW: IN TWO ACTS by James Blevins
        • WHAT THE LIVING DO by Susan Wadds
    • Archives: Volume 1 >
      • AZURE Volume 1, Issue 10 >
        • SUSURROS DE RECURRENCIA by Franco Strong
        • THE OLD MAN by Sarah T.
        • PERMUTATIONS by Laura Cesarco Eglin
        • WORLD PEACE 3 by Gustavo Alberto Garcia Vaca
      • AZURE Volume 1, Issue 9 >
        • LITTLE GHOST by Danny Judge
        • THE LAST ALLUSIONIST by Sakina B. Fakhri
        • CHURCH by Diana McClure
      • AZURE Volume 1, Issue 8 >
        • DEVIL IN A BLUE DRESS by Nancy Flynn
        • WHAT I COULDN'T SAY by Erika Ranee & Diana McClure
      • AZURE Volume 1, Issue 7 >
        • BRASS TYRANT AND THE AMERICAN THIRST by Kirk Marshall
        • LADY KILLER by Monika Viola
        • THE RIBBONS by Ferguson Williams
      • AZURE Volume 1, Issue 6 >
        • AURELIA: A BALLET IN PROSE (ACT 2 - Part 1) by Sakina B. Fakhri
        • NEW AGE UNCAGED by Frank Light
        • IMMIGRATION/INTEGRATION by Jaret Vadera & Diana McClure
      • AZURE Volume 1, Issue 5 >
        • THE TRIALS OF TOBIT by Joseph Lisowski
        • LIKE MANY GIANT FOOTPRINTS (and other poems) by William Doreski
        • AURELIA: A BALLET IN PROSE (ACT I) by Sakina B. Fakhri
      • AZURE Volume 1, Issue 4 >
        • WARDENCLIFF by Barbara Daddino
        • BETTER LIVING THROUGH CHEMISTRY by Reg Darling
        • AURELIA: A BALLET IN PROSE (LIBRETTO) by Sakina B. Fakhri
      • AZURE Volume 1, Issue 3 >
        • LAWTON, OKLAHOMA by Mark Lawley
        • TWEETY BIRD'S GRACE by Diana McClure
        • CONTAGION AND THE DINNER GUEST by Sakina B. Fakhri
        • ON POETRY AND PROSE by Sakina B. Fakhri
      • AZURE Volume 1, Issue 2 >
        • TWO MICE IN A BLACK BOX & THE DECONSTRUCTION OF LANGUAGE by Sakina B. Fakhri
      • AZURE Volume 1, Issue 1 >
        • CHARACTER SKETCHES by Diana McClure
        • SEASONS ON A GRAVESTONE by Sakina B. Fakhri
        • COCKTAIL PARTY by Diana McClure
        • DESUETUDE by Sakina B. Fakhri
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