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  • AZURE: A Journal of Literary Thought
    • AZURE Volume 8 >
      • PRACTICAL MEDICAL ADVICE FOR FEMALE SUBJECTS OF THE CAPE COLONY by Karen Jennings
      • PLAN B and others by M.B. McLatchey
      • IDIOSYNCRATIC ICONS: A MANIFESTO by Richard Collins
      • THE DARDANELLES (HERO AND LEANDER AT 60) by Greg Sendi
      • AN APPRECIATION OF THE SCHOLAR, ADALBERT by Vincent Mannings
      • ONE PARTING, YIELDING LINE by M. Ann Reed
      • THE RIVER FISHER'S DAUGHTER by Kirk Marshall
      • BEYOND THE GREAT HORIZON WALL by Kenny Kuhn
      • BLOOM by Michael Gessner
      • SOMETHING, I KNOW NOT WHAT by Ray Corvi
      • OF BUTLERS AND SPIES by Austin Barnes
      • WHAT THE FIRST GOD SPOKE I THINK WAS SUN by Richard Hague
      • SEELENKNARREN by Lorenz Poeschl
    • AZURE Volume 7, Issue 3 >
      • DECEMBER 25, 2022 by Aletha Irby
      • A SUMMARY OF 'A BRIEF HISTORY OF NASOCARPIA' by Peter Arscott
      • CARRYING CAPACITY by Charles Byrne
      • THE MUNE MONOLOGUES by Thomas Townsley
    • AZURE Volume 7, Issue 2 >
      • VARIATION ON A THEME & POSE POEM by Norman Minnick
      • THE MAP OF YOUR HANDS UNFOLDS A DOVE by Vikki C.
      • HISTORIES OF THE BEARD by Richard Hague
      • ILLUSTRATED COMMENTS ON THE APOPHATAPATAPHYSICAL METRICS OF COSMIC HUMOR by edo strannikov
    • AZURE Volume 7, Issue 1 >
      • ORANGES by John Moody
      • THE LACONIA by Wendy Webb
      • BREATH OF THE TEXT by Jeremiah Cassar Scalia
    • AZURE Volume 6, Issue 4 >
      • TO THOSE FOUND DEAD IN CHIMNEYS by R.W. Plym
      • WHAT TO EXPECT OF LIFE by Steven G. Kellman
      • IF IT WERE DRAWN by Jessica Reed
      • BLOOD IN THE ORCHIDS by Amanda Kotch
      • CORNELIUS RADHOPPER by Peter Arscott
    • AZURE Volume 6, Issue 3 >
      • ANIMAL INHERITANCE by akhir ali
      • THAT DUDE DERRIDA by Daniel Klawitter
      • FLAT-EARTH FRED by Phil Gallos
      • THE MYSTERY OF THE MISSING SEMICOLON by Orana Loren
      • MY BALDERDASHERY by Eric Paul Shaffer
    • AZURE Volume 6, Issue 2 >
      • MIRROR by Joshua Kepfer
      • CUE FALLING PIANO by D.C. Weaver
      • ANTON AND THE ECHO by Cristina Otero
      • THAT WHICH WE TRULY DON'T KNOW by JOACHIM GLAGE
      • CONGRATULATIONS by Alan Sincic
    • AZURE Volume 6, Issue 1 >
      • NEVER, NEVER LAND, MY SHIP by Mark Pearce
      • THE SMILE OF MONA LISA by Fatima Ijaz
      • OUROBOROS by Esme Sammons
      • THE DEPTHS OF THE SEA by Margaret D. Stetz
      • SNICKER-SNACK by Bruce Meyer
    • AZURE Volume 5, Issue 4 >
      • THE OWLET AND THE TURTLE by Greg Sendi
      • BRACTS and other poems by Nathaniel Calhoun
      • ANSWERS TO NON-EXISTENT QUESTIONS and other poems by Kevin Griffith
      • NEVERENDING KNOT by Jodie Dalgleish
      • LEARNING TO WALK by Jodie Dalgleish
      • OVERSOUL by P.S. Lutz
    • AZURE Volume 5, Issue 3 >
      • MAP OF MEMORY by Jesse Schotter
      • BISMILLAH by Abby Minor
      • MICROMORTS by Veronica Tang
      • LOVE LETTER TO LANGUAGE: AN ABECEDARIAN by Saramanda Swigart
      • IF YOU WERE ALL WATER by M. Ann Reed
    • AZURE Volume 5, Issue 2 >
      • CONTRA FORMALISME by Leland Seese
      • DRUNKEN MAN ON A BICYCLE by Dan Butterworth
      • WOLF TICKETS THROUGH THE FERAL WINTER by Kirk Marshall
      • SYLVANUS, BARD by Marc Lerner
      • THE LOOKING GLASS OF ARTHUR GORDON PYM by Frank Meola
    • AZURE Volume 5, Issue 1 >
      • INTIMATE THINGS by Laylage Courie
      • A SERIES OF PUNCTUATION by Hajar Hussaini
      • ROT AND GLORIANA by Laurel Miram
      • BLUES ON RED by Elie Doubleday
      • MY FICTION: REMEMBERING 50 YEARS OF WORK by Richard Kostelanetz
    • AZURE Volume 4, Issue 4 >
      • ENDNOTES FOR AN ALLOCUTION by Peter Freund
      • UKEMI (and other poems) by Nicole Vento
      • MEMORANDUM ON DESIRE by Laylage Courie
      • THE HOLYWOOD DEUTERONOMY by Jim Shankman
      • AT THE MAD HATTER-MARCH HARE ART GALLERY (and other poems) by M. Ann Reed
    • AZURE Volume 4, Issue 3 >
      • THE MACHINE, STOLEN FIRE, and PERFORMANCE by Vivek Narayan
      • FIRST FRUITS by Stephen Massimilla
      • ONCE UPON A TOMORROW-TIME by Christopher Routheut
      • YIELD LIGHT OF WAY by Ken Goodman
      • SEVEN TALES by Sara Streett
    • AZURE Volume 4, Issue 2 >
      • THE PUNCH-CARD CIPHERS by DF Short
      • SHE WAS THE FIRST TO GIVE A TOAST by Kelli Russell Agodon
      • HABLU L-WARIDI by Jesse Hilson
      • THE KEY TO DREAMS by Sean S. Bentley
      • SOFA, SO GOOD, SORT OF by Remy Ngamije
    • AZURE Volume 4, Issue 1 >
      • STAMPING THE DEAD by Habib Mohana
      • LEGS by A. Joachim Glage
      • I THINK OUTSIDE THE BOX by Heikki Huotari
      • LUŽÁNKY by V.B. Borjen
    • ARCHIVES: VOLUME 3 >
      • AZURE Volume 3, Issue 4 >
        • TALES UNSUITABLE FOR CHILDREN by Devon Ortega
        • WAKE UP by JayJay Conrad
        • AMONG THE MEN IS APRIL by Logo Wei
        • SWEET by Melinda Giordano
        • BLACK ROSES by Osamase Ekhator
        • MEET ME TONIGHT ON METAPHOR STREET by Vivek Narayan
      • AZURE Volume 3, Issue 3 >
        • MENAGE A TROIS, WITH HORSE by Don Dussault
        • THE BLACK by Ben Colandrea
        • BLUE SKY LANGUAGE by Christien Gholson
        • UN DETECTIVE VIEJO by Franco Strong
      • AZURE Volume 3, Issue 2 >
        • THE CLEANSING by Linda Dennard
        • SHUFFLE by Debbie Fox
        • DID YOU FALL OR RISE FROM THE CLOUD OF UNKNOWING? by M. Ann Reed
        • THE PHILOSOPHER AND THE PORNQUEEN by Omar Sabbagh
        • KIGALI MEMORIAL by Carlos Andres Gomez
        • PANTOUM OF THE MEAT by Ouita Rogers
      • AZURE Volume 3, Issue 1 >
        • HOW TO WRITE A BIOGRAPHY by Joanne B. Mulcahy
        • PROTOCOL NINE-NINE-NINE-NINE by Kenneth Hanes
        • LESS' MORE by TWIXT
        • POINTLESS MR. PROBST by Beatriz Seelaender
    • ARCHIVES: VOLUME 2 >
      • AZURE Volume 2, Issue 4 >
        • SYLVAN PASSAGES by Dan Wood
        • SISTER ALONE by Janet M Powers
        • CENTURY 2.1 by Alan Flurry
        • CLAIMED BY THE SEA by Sam Reese
      • AZURE Volume 2, Issue 3 >
        • CROSSHATCHING by M.K. Rainey
        • LULLABY by Barbara Daddino
        • HOUSEMOUTH (and other poems) by Anhvu Buchanan and Brent Piller
        • THE RESIDUE IN PUBLIC TEA AND COFFEE CUPS by V.B. Borjen
        • SYZYGY (and other poems) by Malorie Seeley-Sherwood
      • AZURE Volume 2, Issue 2 >
        • DRAGONFLIES: A DISCOURSE ON ANXIETY by Lara Lillibridge
        • AND RICHARD BURBAGE ALSO HAD A SISTER by Freya Shipley
        • THE WATCHERS by M.K. Rainey
        • JAZZ INTERACTION WITH SYMBOLS by Sarah T.
        • SPIDER (and other poems) by Natalie Crick
      • AZURE Volume 2, Issue 1 >
        • ECHOES by Daniel Freeman
        • MAPS by Susan Brennan
        • EDGAR'S FATHER'S MAGIC WORDS by JWM Morgan
        • LOCKJAW: IN TWO ACTS by James Blevins
        • WHAT THE LIVING DO by Susan Wadds
    • Archives: Volume 1 >
      • AZURE Volume 1, Issue 10 >
        • SUSURROS DE RECURRENCIA by Franco Strong
        • THE OLD MAN by Sarah T.
        • PERMUTATIONS by Laura Cesarco Eglin
        • WORLD PEACE 3 by Gustavo Alberto Garcia Vaca
      • AZURE Volume 1, Issue 9 >
        • LITTLE GHOST by Danny Judge
        • THE LAST ALLUSIONIST by Sakina B. Fakhri
        • CHURCH by Diana McClure
      • AZURE Volume 1, Issue 8 >
        • DEVIL IN A BLUE DRESS by Nancy Flynn
        • WHAT I COULDN'T SAY by Erika Ranee & Diana McClure
      • AZURE Volume 1, Issue 7 >
        • BRASS TYRANT AND THE AMERICAN THIRST by Kirk Marshall
        • LADY KILLER by Monika Viola
        • THE RIBBONS by Ferguson Williams
      • AZURE Volume 1, Issue 6 >
        • AURELIA: A BALLET IN PROSE (ACT 2 - Part 1) by Sakina B. Fakhri
        • NEW AGE UNCAGED by Frank Light
        • IMMIGRATION/INTEGRATION by Jaret Vadera & Diana McClure
      • AZURE Volume 1, Issue 5 >
        • THE TRIALS OF TOBIT by Joseph Lisowski
        • LIKE MANY GIANT FOOTPRINTS (and other poems) by William Doreski
        • AURELIA: A BALLET IN PROSE (ACT I) by Sakina B. Fakhri
      • AZURE Volume 1, Issue 4 >
        • WARDENCLIFF by Barbara Daddino
        • BETTER LIVING THROUGH CHEMISTRY by Reg Darling
        • AURELIA: A BALLET IN PROSE (LIBRETTO) by Sakina B. Fakhri
      • AZURE Volume 1, Issue 3 >
        • LAWTON, OKLAHOMA by Mark Lawley
        • TWEETY BIRD'S GRACE by Diana McClure
        • CONTAGION AND THE DINNER GUEST by Sakina B. Fakhri
        • ON POETRY AND PROSE by Sakina B. Fakhri
      • AZURE Volume 1, Issue 2 >
        • TWO MICE IN A BLACK BOX & THE DECONSTRUCTION OF LANGUAGE by Sakina B. Fakhri
      • AZURE Volume 1, Issue 1 >
        • CHARACTER SKETCHES by Diana McClure
        • SEASONS ON A GRAVESTONE by Sakina B. Fakhri
        • COCKTAIL PARTY by Diana McClure
        • DESUETUDE by Sakina B. Fakhri
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Lužánky

By V.B. Borjen
Picture

But there was that body. So things could not go on as they naturally would have gone on: the father would have wheeled away the perambulator, the teens would have continued passing around the ball with which they had been playing, the couple would have strolled further down the pathway holding sweaty hands but not letting go if it were not for the body. Indeed, the two doing yoga or practicing some one or other of the martial arts, the thin ginger man jogging, the old lady with a walking stick and the blonde paper-faced girl with a sheep dog, they all would have got on with their leisure if it was not for that queer body down by the stream.
    ‘And how very typical of the body,’ thought Katka, ‘that it should be the stumbling block, that which we cannot pass over.’ For there it was: unmoving, facing the ground covered with various grasses (carefully trimmed, for this was, after all, the oldest public garden in the country) – the body which none of them could phase out. The headphones were taken off, unplugged, one by one: the music was gone. An old woman came down the left path, dragging her feet and her lazy dog, which sniffed here a plant, there a cobble, then sniffed no more but trotted in semi-circles round the place where everyone was now standing, eyeing the body behind the wooden fence by the stream.
    ‘We should call the police,’ somebody thought. ‘Perhaps it was a murder,’ thought another. ‘Or someone must have committed suicide,’ concluded the third. ‘The corpse looks fresh,’ someone said. ‘Certainly, it is impossible to say from this distance. We should go over the fence and check,’ contested the former. ‘But we mustn’t touch anything; it is now a crime scene; we had better just call an ambulance and the police,’ said the paper-faced girl, whose dog was getting restless on the leash, so she undid the chain and let it run around the park.
    The trees around them were turning yellow, as they should – it was the right season after all, early autumn. Before she turned the corner and walked to the park, Katka had passed by several old churches where people had been standing, for it was Sunday and the mass had just finished. Now she saw, across the park, the crowded street and felt relieved that it was over. (She could not stand this pretended religious devotion which some people still expressed, going to church on Sunday, then living the rest of the days of the week as if god’s word was no more than a chewing gum whose flavour had been long sucked out. She felt nothing whatever for any god; she only loathed the hypocrisy of her times.) Her eyes sank back down to the view of the body which was lying prostrate on the grass. It looked almost like a body of a man in prayer.
    But it was not. ‘It must have been a suicide,’ she agreed. She pondered that idea for a while. ‘Perhaps that is how I should end it too, my life,’ she thought, ‘with a suicide. Some day. I think it only natural that one should go when one feels one should; that one should choose one’s moment. If one were to get up at the break of day some morning, have the habitual coffee, a little food, then feel: this is it, this is the peak, let it end now – then one should certainly take hold of that bundle one calls one’s life and let it drop, like sunlight drops on to the grass through the leaves.’ She looked around her; the sunlight had dropped on to the grass, saturating a patch here, there a streak.
    There was death and there was life all around; inside one another. ‘Life and death are like two hands to each other,’ she mused. (‘Two sweaty hands,’ she added on the margin of the previous thought, observing the couple who refused to part even at such a moment.) ‘The nails of death are stung deep into the palm of life; the nails of life are stung deep into the palm of death. Like hooks connecting two ropes that hold the bridge – without either, the void would be unsurpassable,’ she concluded. Then she smiled. For there was a change in the scene before her. Having stood next to the couple holding sweaty hands, the two teens with the ball and the father with the perambulator – on the left, and the grandma with the lazy dog, the paper-faced girl, the martial arts practitioners with their long wooden sticks, the ginger jogger and the old lady with the walking cane – on her right, Katka suddenly realised she was standing all alone; everyone had moved on unnoticeably. Looking on she saw the body by the stream stir gradually, until it stood completely erect on the grass and returned her gaze. The dead body; it was the body of a sleeper.


V. B. Borjen (b.1987) writes in two languages and reads in four. His short stories, essays, articles and literary translations have appeared in various Bosnian, Croatian, Serbian, Hungarian, and Montenegrin magazines and dailies. The manuscript of his first poetry collection Priručnik za levitiranje (Levitation Manual) won the prestigious Mak Dizdar Award in 2012 and was published the following year to significant acclaim. In the same year his poem "Momento mori" was published in Hypothetical: A Review of Everything Imaginable, followed by a (still informative) interview. He is a doctoral candidate and lives in the Czech Republic, where he reads (on the trams, the trains, the street corners, in the cafes, on the toilet, between the lessons, while queuing or doing the washing up) and writes, Tumblrs his favourite literature and art and Instagrams his own ink drawings and silliness. Tweets as well, but too sporadically.

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  • ABOUT
    • Our Literary Aesthetic
    • Staff >
      • Writings by Sakina B. Fakhri
    • Contact Us
    • SUBSCRIBE
  • CONTESTS
  • AZURE: A Journal of Literary Thought
    • AZURE Volume 8 >
      • PRACTICAL MEDICAL ADVICE FOR FEMALE SUBJECTS OF THE CAPE COLONY by Karen Jennings
      • PLAN B and others by M.B. McLatchey
      • IDIOSYNCRATIC ICONS: A MANIFESTO by Richard Collins
      • THE DARDANELLES (HERO AND LEANDER AT 60) by Greg Sendi
      • AN APPRECIATION OF THE SCHOLAR, ADALBERT by Vincent Mannings
      • ONE PARTING, YIELDING LINE by M. Ann Reed
      • THE RIVER FISHER'S DAUGHTER by Kirk Marshall
      • BEYOND THE GREAT HORIZON WALL by Kenny Kuhn
      • BLOOM by Michael Gessner
      • SOMETHING, I KNOW NOT WHAT by Ray Corvi
      • OF BUTLERS AND SPIES by Austin Barnes
      • WHAT THE FIRST GOD SPOKE I THINK WAS SUN by Richard Hague
      • SEELENKNARREN by Lorenz Poeschl
    • AZURE Volume 7, Issue 3 >
      • DECEMBER 25, 2022 by Aletha Irby
      • A SUMMARY OF 'A BRIEF HISTORY OF NASOCARPIA' by Peter Arscott
      • CARRYING CAPACITY by Charles Byrne
      • THE MUNE MONOLOGUES by Thomas Townsley
    • AZURE Volume 7, Issue 2 >
      • VARIATION ON A THEME & POSE POEM by Norman Minnick
      • THE MAP OF YOUR HANDS UNFOLDS A DOVE by Vikki C.
      • HISTORIES OF THE BEARD by Richard Hague
      • ILLUSTRATED COMMENTS ON THE APOPHATAPATAPHYSICAL METRICS OF COSMIC HUMOR by edo strannikov
    • AZURE Volume 7, Issue 1 >
      • ORANGES by John Moody
      • THE LACONIA by Wendy Webb
      • BREATH OF THE TEXT by Jeremiah Cassar Scalia
    • AZURE Volume 6, Issue 4 >
      • TO THOSE FOUND DEAD IN CHIMNEYS by R.W. Plym
      • WHAT TO EXPECT OF LIFE by Steven G. Kellman
      • IF IT WERE DRAWN by Jessica Reed
      • BLOOD IN THE ORCHIDS by Amanda Kotch
      • CORNELIUS RADHOPPER by Peter Arscott
    • AZURE Volume 6, Issue 3 >
      • ANIMAL INHERITANCE by akhir ali
      • THAT DUDE DERRIDA by Daniel Klawitter
      • FLAT-EARTH FRED by Phil Gallos
      • THE MYSTERY OF THE MISSING SEMICOLON by Orana Loren
      • MY BALDERDASHERY by Eric Paul Shaffer
    • AZURE Volume 6, Issue 2 >
      • MIRROR by Joshua Kepfer
      • CUE FALLING PIANO by D.C. Weaver
      • ANTON AND THE ECHO by Cristina Otero
      • THAT WHICH WE TRULY DON'T KNOW by JOACHIM GLAGE
      • CONGRATULATIONS by Alan Sincic
    • AZURE Volume 6, Issue 1 >
      • NEVER, NEVER LAND, MY SHIP by Mark Pearce
      • THE SMILE OF MONA LISA by Fatima Ijaz
      • OUROBOROS by Esme Sammons
      • THE DEPTHS OF THE SEA by Margaret D. Stetz
      • SNICKER-SNACK by Bruce Meyer
    • AZURE Volume 5, Issue 4 >
      • THE OWLET AND THE TURTLE by Greg Sendi
      • BRACTS and other poems by Nathaniel Calhoun
      • ANSWERS TO NON-EXISTENT QUESTIONS and other poems by Kevin Griffith
      • NEVERENDING KNOT by Jodie Dalgleish
      • LEARNING TO WALK by Jodie Dalgleish
      • OVERSOUL by P.S. Lutz
    • AZURE Volume 5, Issue 3 >
      • MAP OF MEMORY by Jesse Schotter
      • BISMILLAH by Abby Minor
      • MICROMORTS by Veronica Tang
      • LOVE LETTER TO LANGUAGE: AN ABECEDARIAN by Saramanda Swigart
      • IF YOU WERE ALL WATER by M. Ann Reed
    • AZURE Volume 5, Issue 2 >
      • CONTRA FORMALISME by Leland Seese
      • DRUNKEN MAN ON A BICYCLE by Dan Butterworth
      • WOLF TICKETS THROUGH THE FERAL WINTER by Kirk Marshall
      • SYLVANUS, BARD by Marc Lerner
      • THE LOOKING GLASS OF ARTHUR GORDON PYM by Frank Meola
    • AZURE Volume 5, Issue 1 >
      • INTIMATE THINGS by Laylage Courie
      • A SERIES OF PUNCTUATION by Hajar Hussaini
      • ROT AND GLORIANA by Laurel Miram
      • BLUES ON RED by Elie Doubleday
      • MY FICTION: REMEMBERING 50 YEARS OF WORK by Richard Kostelanetz
    • AZURE Volume 4, Issue 4 >
      • ENDNOTES FOR AN ALLOCUTION by Peter Freund
      • UKEMI (and other poems) by Nicole Vento
      • MEMORANDUM ON DESIRE by Laylage Courie
      • THE HOLYWOOD DEUTERONOMY by Jim Shankman
      • AT THE MAD HATTER-MARCH HARE ART GALLERY (and other poems) by M. Ann Reed
    • AZURE Volume 4, Issue 3 >
      • THE MACHINE, STOLEN FIRE, and PERFORMANCE by Vivek Narayan
      • FIRST FRUITS by Stephen Massimilla
      • ONCE UPON A TOMORROW-TIME by Christopher Routheut
      • YIELD LIGHT OF WAY by Ken Goodman
      • SEVEN TALES by Sara Streett
    • AZURE Volume 4, Issue 2 >
      • THE PUNCH-CARD CIPHERS by DF Short
      • SHE WAS THE FIRST TO GIVE A TOAST by Kelli Russell Agodon
      • HABLU L-WARIDI by Jesse Hilson
      • THE KEY TO DREAMS by Sean S. Bentley
      • SOFA, SO GOOD, SORT OF by Remy Ngamije
    • AZURE Volume 4, Issue 1 >
      • STAMPING THE DEAD by Habib Mohana
      • LEGS by A. Joachim Glage
      • I THINK OUTSIDE THE BOX by Heikki Huotari
      • LUŽÁNKY by V.B. Borjen
    • ARCHIVES: VOLUME 3 >
      • AZURE Volume 3, Issue 4 >
        • TALES UNSUITABLE FOR CHILDREN by Devon Ortega
        • WAKE UP by JayJay Conrad
        • AMONG THE MEN IS APRIL by Logo Wei
        • SWEET by Melinda Giordano
        • BLACK ROSES by Osamase Ekhator
        • MEET ME TONIGHT ON METAPHOR STREET by Vivek Narayan
      • AZURE Volume 3, Issue 3 >
        • MENAGE A TROIS, WITH HORSE by Don Dussault
        • THE BLACK by Ben Colandrea
        • BLUE SKY LANGUAGE by Christien Gholson
        • UN DETECTIVE VIEJO by Franco Strong
      • AZURE Volume 3, Issue 2 >
        • THE CLEANSING by Linda Dennard
        • SHUFFLE by Debbie Fox
        • DID YOU FALL OR RISE FROM THE CLOUD OF UNKNOWING? by M. Ann Reed
        • THE PHILOSOPHER AND THE PORNQUEEN by Omar Sabbagh
        • KIGALI MEMORIAL by Carlos Andres Gomez
        • PANTOUM OF THE MEAT by Ouita Rogers
      • AZURE Volume 3, Issue 1 >
        • HOW TO WRITE A BIOGRAPHY by Joanne B. Mulcahy
        • PROTOCOL NINE-NINE-NINE-NINE by Kenneth Hanes
        • LESS' MORE by TWIXT
        • POINTLESS MR. PROBST by Beatriz Seelaender
    • ARCHIVES: VOLUME 2 >
      • AZURE Volume 2, Issue 4 >
        • SYLVAN PASSAGES by Dan Wood
        • SISTER ALONE by Janet M Powers
        • CENTURY 2.1 by Alan Flurry
        • CLAIMED BY THE SEA by Sam Reese
      • AZURE Volume 2, Issue 3 >
        • CROSSHATCHING by M.K. Rainey
        • LULLABY by Barbara Daddino
        • HOUSEMOUTH (and other poems) by Anhvu Buchanan and Brent Piller
        • THE RESIDUE IN PUBLIC TEA AND COFFEE CUPS by V.B. Borjen
        • SYZYGY (and other poems) by Malorie Seeley-Sherwood
      • AZURE Volume 2, Issue 2 >
        • DRAGONFLIES: A DISCOURSE ON ANXIETY by Lara Lillibridge
        • AND RICHARD BURBAGE ALSO HAD A SISTER by Freya Shipley
        • THE WATCHERS by M.K. Rainey
        • JAZZ INTERACTION WITH SYMBOLS by Sarah T.
        • SPIDER (and other poems) by Natalie Crick
      • AZURE Volume 2, Issue 1 >
        • ECHOES by Daniel Freeman
        • MAPS by Susan Brennan
        • EDGAR'S FATHER'S MAGIC WORDS by JWM Morgan
        • LOCKJAW: IN TWO ACTS by James Blevins
        • WHAT THE LIVING DO by Susan Wadds
    • Archives: Volume 1 >
      • AZURE Volume 1, Issue 10 >
        • SUSURROS DE RECURRENCIA by Franco Strong
        • THE OLD MAN by Sarah T.
        • PERMUTATIONS by Laura Cesarco Eglin
        • WORLD PEACE 3 by Gustavo Alberto Garcia Vaca
      • AZURE Volume 1, Issue 9 >
        • LITTLE GHOST by Danny Judge
        • THE LAST ALLUSIONIST by Sakina B. Fakhri
        • CHURCH by Diana McClure
      • AZURE Volume 1, Issue 8 >
        • DEVIL IN A BLUE DRESS by Nancy Flynn
        • WHAT I COULDN'T SAY by Erika Ranee & Diana McClure
      • AZURE Volume 1, Issue 7 >
        • BRASS TYRANT AND THE AMERICAN THIRST by Kirk Marshall
        • LADY KILLER by Monika Viola
        • THE RIBBONS by Ferguson Williams
      • AZURE Volume 1, Issue 6 >
        • AURELIA: A BALLET IN PROSE (ACT 2 - Part 1) by Sakina B. Fakhri
        • NEW AGE UNCAGED by Frank Light
        • IMMIGRATION/INTEGRATION by Jaret Vadera & Diana McClure
      • AZURE Volume 1, Issue 5 >
        • THE TRIALS OF TOBIT by Joseph Lisowski
        • LIKE MANY GIANT FOOTPRINTS (and other poems) by William Doreski
        • AURELIA: A BALLET IN PROSE (ACT I) by Sakina B. Fakhri
      • AZURE Volume 1, Issue 4 >
        • WARDENCLIFF by Barbara Daddino
        • BETTER LIVING THROUGH CHEMISTRY by Reg Darling
        • AURELIA: A BALLET IN PROSE (LIBRETTO) by Sakina B. Fakhri
      • AZURE Volume 1, Issue 3 >
        • LAWTON, OKLAHOMA by Mark Lawley
        • TWEETY BIRD'S GRACE by Diana McClure
        • CONTAGION AND THE DINNER GUEST by Sakina B. Fakhri
        • ON POETRY AND PROSE by Sakina B. Fakhri
      • AZURE Volume 1, Issue 2 >
        • TWO MICE IN A BLACK BOX & THE DECONSTRUCTION OF LANGUAGE by Sakina B. Fakhri
      • AZURE Volume 1, Issue 1 >
        • CHARACTER SKETCHES by Diana McClure
        • SEASONS ON A GRAVESTONE by Sakina B. Fakhri
        • COCKTAIL PARTY by Diana McClure
        • DESUETUDE by Sakina B. Fakhri
  • LIBRARY SHOP
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