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      • ENDNOTES FOR AN ALLOCUTION by Peter Freund
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      • AT THE MAD HATTER-MARCH HARE ART GALLERY (and other poems) by M. Ann Reed
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      • YIELD LIGHT OF WAY by Ken Goodman
      • SEVEN TALES by Sara Streett
    • AZURE Volume 4, Issue 2 >
      • THE PUNCH-CARD CIPHERS by DF Short
      • SHE WAS THE FIRST TO GIVE A TOAST by Kelli Russell Agodon
      • HABLU L-WARIDI by Jesse Hilson
      • THE KEY TO DREAMS by Sean S. Bentley
      • SOFA, SO GOOD, SORT OF by Remy Ngamije
    • AZURE Volume 4, Issue 1 >
      • STAMPING THE DEAD by Habib Mohana
      • LEGS by A. Joachim Glage
      • I THINK OUTSIDE THE BOX by Heikki Huotari
      • LUŽÁNKY by V.B. Borjen
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        • TALES UNSUITABLE FOR CHILDREN by Devon Ortega
        • WAKE UP by JayJay Conrad
        • AMONG THE MEN IS APRIL by Logo Wei
        • SWEET by Melinda Giordano
        • BLACK ROSES by Osamase Ekhator
        • MEET ME TONIGHT ON METAPHOR STREET by Vivek Narayan
      • AZURE Volume 3, Issue 3 >
        • MENAGE A TROIS, WITH HORSE by Don Dussault
        • THE BLACK by Ben Colandrea
        • BLUE SKY LANGUAGE by Christien Gholson
        • UN DETECTIVE VIEJO by Franco Strong
      • AZURE Volume 3, Issue 2 >
        • THE CLEANSING by Linda Dennard
        • SHUFFLE by Debbie Fox
        • DID YOU FALL OR RISE FROM THE CLOUD OF UNKNOWING? by M. Ann Reed
        • THE PHILOSOPHER AND THE PORNQUEEN by Omar Sabbagh
        • KIGALI MEMORIAL by Carlos Andres Gomez
        • PANTOUM OF THE MEAT by Ouita Rogers
      • AZURE Volume 3, Issue 1 >
        • HOW TO WRITE A BIOGRAPHY by Joanne B. Mulcahy
        • PROTOCOL NINE-NINE-NINE-NINE by Kenneth Hanes
        • LESS' MORE by TWIXT
        • POINTLESS MR. PROBST by Beatriz Seelaender
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        • SYLVAN PASSAGES by Dan Wood
        • SISTER ALONE by Janet M Powers
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        • CROSSHATCHING by M.K. Rainey
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        • SYZYGY (and other poems) by Malorie Seeley-Sherwood
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        • DRAGONFLIES: A DISCOURSE ON ANXIETY by Lara Lillibridge
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        • JAZZ INTERACTION WITH SYMBOLS by Sarah T.
        • SPIDER (and other poems) by Natalie Crick
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        • ECHOES by Daniel Freeman
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        • WHAT I COULDN'T SAY by Erika Ranee & Diana McClure
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        • LADY KILLER by Monika Viola
        • THE RIBBONS by Ferguson Williams
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        • THE TRIALS OF TOBIT by Joseph Lisowski
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        • LAWTON, OKLAHOMA by Mark Lawley
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Back to AZURE (May 2015)

Tweety Bird's Grace

By Diana McClure
Picture

Somewhere in Brooklyn....

As I sat at my window I saw the white plumes of my neighbors smoke wafting through the air, backlit by a glorious Sunday morning sun. Still green leaves, a backdrop to our moment of shared intimacy. He did not know I was perched one story above him. It was ganja he was smoking, not a cigarette.

He was fat and porous and his caramel skin had a putrid green under-glow suggesting a poor diet. Little beady eyes dotted his face and his quick jerky smile never stayed visible for long. It was easily swished swashed away with his talking hands.

I’d seen him around the neighborhood for years and been in group smack talking sessions with him a few times.  His jittery bald headed antics had earned him the nickname Tweety Bird. Every now and then, perched at my front window, I saw him pop in and out of our local bodega to buy cigarettes. Usually he’d stop right outside the store, stand sway backed, ass out, look left then right, light up, and strut down the block all eyes on me style.

I often heard Tweety Bird below me tinkering around in his apartment, television voices shifting and flickering every few seconds, volume on loud for both gangsta rap and classical music. Somehow, we never crossed paths inside our three-story walk-up.

Sometimes he'd bang pots and pans around. It seemed like it was on purpose. A form of self imposed distraction. There was no way someone could actually like to make that much noise.

Word on the street was he worked in the music business, a low level hustler doing roadie work on hip-hop tours.  There were weeks at a time when all I heard below me was the sound of silence. I assumed that was when Tweety Bird was gone.

***

Once the earthy green scent of cannabis faded into the atmosphere I decided to stick my head out the window and take a peak. Tweety Bird wasn’t there. Instead a woman with dusty elbows resting on the windowsill had her head hung low.  Her long Brazilian Keratin black hair obscured her face like a helmet. It dangled dangerously close to the ember tip of a spliff held roughly between her red fingernails. She seemed lost in the moody morning like me.

The 100-foot tall trees in the yards of our neighborhood’s attached townhouses created a block long forest. It was silent, barely in bloom. The breeze did not move. For some reason the birds were quiet. There was no fire escape on our building, a definite violation I assumed.

“Grace...! Mamí...! Dónde está my kicks?” a husky voice said in Spanglish.

“Boooyy, who you barkin’ at? It’s too early for that mess. Don’t start.” said the long-haired woman.

Apparently, her name was Grace.

Their voices sounded clear and righteous, banter that echoed in the morning light, rattling the trees and urban animal life. A squirrel jumped and scurried up a branch just as Grace tucked her head inside, turned around and splayed her wide bottom on the windowsill. She was wearing tight shorts. Her honey colored torso peaked out of a black tank top. It looked stocky. A faint dusting of hair whispered across her lower back.

I could see because I had tilted a magnification mirror,
secured with the half-open screen, on the edge of my window - a.k.a. snooping without sticking my head out.  At heart I was quietly nosy. Some people called it curious.

I could only hear muffled voices now. It sounded like Lucy or Snoopy talking on the old Peanuts Charlie Brown TV shows. A musical murmur that indicated whatever was being said was irrelevant to the story.  Grace’s backside fidgeted on the windowsill trying to make more room for her seat. Unable to adjust to a comfortable position she stood up, pulled down the screen and adjusted some sheer curtains.

My view was gone. I moved the mirror and decided to stick my head out to enjoy the sunlight and do some bird watching. One particular Red Robin always frequented the trees outside my window. I’d taken to thinking of him as a sign of good luck. A cosmic hello. I always looked for him.

Pink blooms were starting to unwind on my neighbor’s tree. I’d been looking forward to it since last spring,  waiting anxiously in the lagging days of winter. As I took in the emerging jungle-like canopy I wondered what Tweety Bird and Grace were doing downstairs. They hadn’t made a peep since she closed the curtains.

“BLAM!” A door slammed.

“Click clack, Click clack, Click clack….” The sound of heels trotting down the steps with intention rang through the stairwell.

Our apartment doors were paper thin. The cheapest ones our landlord could find at Home Depot. Everything was cheap in the building - five dollar toilet seats, faux silver sink faucets, cold white wall paint, loose door knobs. The price of cheap rent.

I ran to the front of my apartment to look down at the street and see if I could catch a glimpse of Grace.

I caught her back. She had on red stilettos, spandex pants and a black fedora that shielded her profile. Grace waddled when she walked.  Her heels were shaky, stretched to capacity for large feet. She seemed to know how to leverage her weight to keep her heft in order. It was impressive.

Just as I was beginning to make a bit of sense out of the woman I heard a screen below me slide up as fast as the slamming door five minutes before. A golden baldhead jutted out yelling,

“Oye! Grace! Mujer! Where you going? Ven aquí!”

The voice husky and commanding seemed to waft right past deaf ears. Grace didn’t even twitch at its sound, or her own name.  But she did hear it, her rebuttal a slower swankier version of her waddle.

I imagined she was grinning, smirking, or better yet laughing, on the inside.  Lost in thought, living vicariously through Grace, I chuckled out loud and let my head linger outside the window a little too long. The baldhead below twisted up, neck flab holding up a face I didn’t recognize. As he glared at me startled at the interloper above him, his flabbergasted bulging eyes bubbling off his face, he bellowed,

“Damn, Tweety Bird! Estos son mis zapatos! Son of a bitch...”

 



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  • ABOUT
    • Our Literary Aesthetic
    • Staff >
      • Writings by Sakina B. Fakhri
    • Contact Us
    • SUBSCRIBE
  • CONTESTS
  • AZURE: A Journal of Literary Thought
    • AZURE Volume 6, Issue 4 >
      • TO THOSE FOUND DEAD IN CHIMNEYS by R.W. Plym
      • WHAT TO EXPECT OF LIFE by Steven G. Kellman
      • IF IT WERE DRAWN by Jessica Reed
      • BLOOD IN THE ORCHIDS by Amanda Kotch
      • CORNELIUS RADHOPPER by Peter Arscott
    • AZURE Volume 6, Issue 3 >
      • ANIMAL INHERITANCE by akhir ali
      • THAT DUDE DERRIDA by Daniel Klawitter
      • FLAT-EARTH FRED by Phil Gallos
      • THE MYSTERY OF THE MISSING SEMICOLON by Orana Loren
      • MY BALDERDASHERY by Eric Paul Shaffer
    • AZURE Volume 6, Issue 2 >
      • MIRROR by Joshua Kepfer
      • CUE FALLING PIANO by D.C. Weaver
      • ANTON AND THE ECHO by Cristina Otero
      • THAT WHICH WE TRULY DON'T KNOW by JOACHIM GLAGE
      • CONGRATULATIONS by Alan Sincic
    • AZURE Volume 6, Issue 1 >
      • NEVER, NEVER LAND, MY SHIP by Mark Pearce
      • THE SMILE OF MONA LISA by Fatima Ijaz
      • OUROBOROS by Esme Sammons
      • THE DEPTHS OF THE SEA by Margaret D. Stetz
      • SNICKER-SNACK by Bruce Meyer
    • AZURE Volume 5, Issue 4 >
      • THE OWLET AND THE TURTLE by Greg Sendi
      • BRACTS and other poems by Nathaniel Calhoun
      • ANSWERS TO NON-EXISTENT QUESTIONS and other poems by Kevin Griffith
      • NEVERENDING KNOT by Jodie Dalgleish
      • LEARNING TO WALK by Jodie Dalgleish
      • OVERSOUL by P.S. Lutz
    • AZURE Volume 5, Issue 3 >
      • MAP OF MEMORY by Jesse Schotter
      • BISMILLAH by Abby Minor
      • MICROMORTS by Veronica Tang
      • LOVE LETTER TO LANGUAGE: AN ABECEDARIAN by Saramanda Swigart
      • IF YOU WERE ALL WATER by M. Ann Reed
    • AZURE Volume 5, Issue 2 >
      • CONTRA FORMALISME by Leland Seese
      • DRUNKEN MAN ON A BICYCLE by Dan Butterworth
      • WOLF TICKETS THROUGH THE FERAL WINTER by Kirk Marshall
      • SYLVANUS, BARD by Marc Lerner
      • THE LOOKING GLASS OF ARTHUR GORDON PYM by Frank Meola
    • AZURE Volume 5, Issue 1 >
      • INTIMATE THINGS by Laylage Courie
      • A SERIES OF PUNCTUATION by Hajar Hussaini
      • ROT AND GLORIANA by Laurel Miram
      • BLUES ON RED by Elie Doubleday
      • MY FICTION: REMEMBERING 50 YEARS OF WORK by Richard Kostelanetz
    • AZURE Volume 4, Issue 4 >
      • ENDNOTES FOR AN ALLOCUTION by Peter Freund
      • UKEMI (and other poems) by Nicole Vento
      • MEMORANDUM ON DESIRE by Laylage Courie
      • THE HOLYWOOD DEUTERONOMY by Jim Shankman
      • AT THE MAD HATTER-MARCH HARE ART GALLERY (and other poems) by M. Ann Reed
    • AZURE Volume 4, Issue 3 >
      • THE MACHINE, STOLEN FIRE, and PERFORMANCE by Vivek Narayan
      • FIRST FRUITS by Stephen Massimilla
      • ONCE UPON A TOMORROW-TIME by Christopher Routheut
      • YIELD LIGHT OF WAY by Ken Goodman
      • SEVEN TALES by Sara Streett
    • AZURE Volume 4, Issue 2 >
      • THE PUNCH-CARD CIPHERS by DF Short
      • SHE WAS THE FIRST TO GIVE A TOAST by Kelli Russell Agodon
      • HABLU L-WARIDI by Jesse Hilson
      • THE KEY TO DREAMS by Sean S. Bentley
      • SOFA, SO GOOD, SORT OF by Remy Ngamije
    • AZURE Volume 4, Issue 1 >
      • STAMPING THE DEAD by Habib Mohana
      • LEGS by A. Joachim Glage
      • I THINK OUTSIDE THE BOX by Heikki Huotari
      • LUŽÁNKY by V.B. Borjen
    • ARCHIVES: VOLUME 3 >
      • AZURE Volume 3, Issue 4 >
        • TALES UNSUITABLE FOR CHILDREN by Devon Ortega
        • WAKE UP by JayJay Conrad
        • AMONG THE MEN IS APRIL by Logo Wei
        • SWEET by Melinda Giordano
        • BLACK ROSES by Osamase Ekhator
        • MEET ME TONIGHT ON METAPHOR STREET by Vivek Narayan
      • AZURE Volume 3, Issue 3 >
        • MENAGE A TROIS, WITH HORSE by Don Dussault
        • THE BLACK by Ben Colandrea
        • BLUE SKY LANGUAGE by Christien Gholson
        • UN DETECTIVE VIEJO by Franco Strong
      • AZURE Volume 3, Issue 2 >
        • THE CLEANSING by Linda Dennard
        • SHUFFLE by Debbie Fox
        • DID YOU FALL OR RISE FROM THE CLOUD OF UNKNOWING? by M. Ann Reed
        • THE PHILOSOPHER AND THE PORNQUEEN by Omar Sabbagh
        • KIGALI MEMORIAL by Carlos Andres Gomez
        • PANTOUM OF THE MEAT by Ouita Rogers
      • AZURE Volume 3, Issue 1 >
        • HOW TO WRITE A BIOGRAPHY by Joanne B. Mulcahy
        • PROTOCOL NINE-NINE-NINE-NINE by Kenneth Hanes
        • LESS' MORE by TWIXT
        • POINTLESS MR. PROBST by Beatriz Seelaender
    • ARCHIVES: VOLUME 2 >
      • AZURE Volume 2, Issue 4 >
        • SYLVAN PASSAGES by Dan Wood
        • SISTER ALONE by Janet M Powers
        • CENTURY 2.1 by Alan Flurry
        • CLAIMED BY THE SEA by Sam Reese
      • AZURE Volume 2, Issue 3 >
        • CROSSHATCHING by M.K. Rainey
        • LULLABY by Barbara Daddino
        • HOUSEMOUTH (and other poems) by Anhvu Buchanan and Brent Piller
        • THE RESIDUE IN PUBLIC TEA AND COFFEE CUPS by V.B. Borjen
        • SYZYGY (and other poems) by Malorie Seeley-Sherwood
      • AZURE Volume 2, Issue 2 >
        • DRAGONFLIES: A DISCOURSE ON ANXIETY by Lara Lillibridge
        • AND RICHARD BURBAGE ALSO HAD A SISTER by Freya Shipley
        • THE WATCHERS by M.K. Rainey
        • JAZZ INTERACTION WITH SYMBOLS by Sarah T.
        • SPIDER (and other poems) by Natalie Crick
      • AZURE Volume 2, Issue 1 >
        • ECHOES by Daniel Freeman
        • MAPS by Susan Brennan
        • EDGAR'S FATHER'S MAGIC WORDS by JWM Morgan
        • LOCKJAW: IN TWO ACTS by James Blevins
        • WHAT THE LIVING DO by Susan Wadds
    • Archives: Volume 1 >
      • AZURE Volume 1, Issue 10 >
        • SUSURROS DE RECURRENCIA by Franco Strong
        • THE OLD MAN by Sarah T.
        • PERMUTATIONS by Laura Cesarco Eglin
        • WORLD PEACE 3 by Gustavo Alberto Garcia Vaca
      • AZURE Volume 1, Issue 9 >
        • LITTLE GHOST by Danny Judge
        • THE LAST ALLUSIONIST by Sakina B. Fakhri
        • CHURCH by Diana McClure
      • AZURE Volume 1, Issue 8 >
        • DEVIL IN A BLUE DRESS by Nancy Flynn
        • WHAT I COULDN'T SAY by Erika Ranee & Diana McClure
      • AZURE Volume 1, Issue 7 >
        • BRASS TYRANT AND THE AMERICAN THIRST by Kirk Marshall
        • LADY KILLER by Monika Viola
        • THE RIBBONS by Ferguson Williams
      • AZURE Volume 1, Issue 6 >
        • AURELIA: A BALLET IN PROSE (ACT 2 - Part 1) by Sakina B. Fakhri
        • NEW AGE UNCAGED by Frank Light
      • AZURE Volume 1, Issue 5 >
        • THE TRIALS OF TOBIT by Joseph Lisowski
        • LIKE MANY GIANT FOOTPRINTS (and other poems) by William Doreski
        • AURELIA: A BALLET IN PROSE (ACT I) by Sakina B. Fakhri
      • AZURE Volume 1, Issue 4 >
        • WARDENCLIFF by Barbara Daddino
        • BETTER LIVING THROUGH CHEMISTRY by Reg Darling
        • AURELIA: A BALLET IN PROSE (LIBRETTO) by Sakina B. Fakhri
      • AZURE Volume 1, Issue 3 >
        • LAWTON, OKLAHOMA by Mark Lawley
        • TWEETY BIRD'S GRACE by Diana McClure
        • CONTAGION AND THE DINNER GUEST by Sakina B. Fakhri
        • ON POETRY AND PROSE by Sakina B. Fakhri
      • AZURE Volume 1, Issue 2 >
        • TWO MICE IN A BLACK BOX & THE DECONSTRUCTION OF LANGUAGE by Sakina B. Fakhri
      • AZURE Volume 1, Issue 1 >
        • CHARACTER SKETCHES by Diana McClure
        • SEASONS ON A GRAVESTONE by Sakina B. Fakhri
        • COCKTAIL PARTY by Diana McClure
        • DESUETUDE by Sakina B. Fakhri
  • LIBRARY SHOP
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  • BLOG
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